American Gothic

American Gothic: Meaning and Background

To understand the American Gothic genre, we must first also understand Romanticism, a literary movement that began in Europe towards the end of the eighteenth century.

Romanticism was a reaction against the Age of Reason, which was an era of scientific inquiry, intellectual pursuits, and the turning away from the mysticism and religious dogma of the Middle Ages. Romanticism focused on the imagination, the sublime, and the inherent goodness of humanity. It emphasized subjective experience, exalted nature, and was suspicious of science.

Unlike Romanticism, which favored imagination, sensibility, and idealization of nature, Gothic turned its focus toward the horror and evils of the dark side of humanity and perversions of nature.

By the nineteenth century, American writers had created their own brand of Gothic. American issues and concepts mingled with classic European Gothic elements and a new literary genre was born.

Common themes in American Gothic literature include Puritanical ideals and the effects of its strict moral code on individuals and society; expansion of the westward frontier and subsequent conflicts; and mounting racial tensions between White, Black, and Native American people.

American Gothic Literature Characteristics

American Gothic literature is more than just blood, death, and fear – although these are common elements of American Gothic literature!

Other American Gothic literature characteristics include the macabre, the supernatural, psychological trauma and terror, and a fear of the unknown.

Macabre

One of the chief hallmarks of American Gothic literature is its central theme of the macabre. Typically, death or injury is imminent, which is terrifying and horrific. Likewise, works of American Gothic may deal with the repercussions of a grotesque death or injury from the past.

Supernatural

Because American Gothic literature stems from American-centric fears of religion, isolation, and wild frontiers, it often has supernatural, occult, or other non-human elements. American Gothic short stories, novels, and poetry contain demons, ghosts, monsters, witchcraft, omens, or other irrational elements that torment and wreak havoc on characters and settings.

Psychological Trauma and Terror

The demons in American Gothic are not always external, however. Many characters in American Gothic literature deal with insanity, guilt, or other forms of psychological tension. Whether from past or current trauma, the mind becomes a labyrinth, vulnerable to madness, perversions, and personal torment.

Fear of the Unknown

In American Gothic literature, the unknown is a cause of fear and anxiety. Dark and confusing physical settings, such as caves, corridors, catacombs, cellars, and castles, help depict the sense of terror that comes with the unknown.

A dark corridor in a stone cathedral, a common setting in American Gothic stories, Pixabay.

American Gothic Literature and Authors

Who are the major American Gothic authors, and what did they write?

"The Legend of Sleepy Hollow" by Washington Irving

First published in 1820, "The Legend of Sleepy Hollow" by Washington Irving (1783–1859) is considered one of the earliest forms of American Gothic literature. It features ghosts, supernatural hauntings, and mystery – all quintessential American Gothic characteristics.

The inhabitants of Sleepy Hollow believe that the town is haunted by the Headless Horseman, the ghost of a soldier who died in battle. The Headless Horseman, legend has it, rides through the woods, head detached from the neck, launching it at passers-by. Ichabod Crane, the story's protagonist, mysteriously disappears in the forest one night, leaving the town to suspect the Headless Horseman struck again.

Edgar Allan Poe

The quintessential American Gothic writer, Edgar Allan Poe (1809–49), wrote haunting tales of madness, misery, and the macabre. His poetry and short stories feature characters who descend into the depths of insanity or wrestle with the grotesque.

Having been through early loss and trauma, Poe frequently wrote about death, with premature burial, reanimation after death, and corpse decomposition as recurring themes. Some of his most famous short stories include "The Fall of the House of Usher" (1839), "The Pit and the Pendulum" (1842), "The Tell-Tale Heart" (1843), and "The Cask of Amontillado" (1846).

"The Haunted Mind" by Nathaniel Hawthorne

Nathaniel Hawthorne (1804–64) wrote short stories and novels about religion, morality, and history. His works often included the dark side of Puritan society, including the impact that repression had on individuals. His short story, "The Haunted Mind" (1835), is a classic example of American Gothic. The narrator, who awakes from a midnight slumber, describes the brief period between sleep and wakefulness. Despite its relatively short timeframe, the narrator depicts powerful emotions that are personified: Fear, Guilt, Shame, and Sorrow arise to the surface and taunt the narrator.

"The Yellow Wallpaper" by Charlotte Perkins Gilmore

"The Yellow Wallpaper," written by Charlotte Perkins Gilmore in 1892, is considered both a central piece of American Gothic and feminist literature. The story is about a young woman who is confined to a room to rest from a nervous breakdown. The more isolated she becomes, the more she descends into madness and powerlessness. Both a critique on the treatment of women in the nineteenth century and a commentary on the mind's ability to lose touch with reality, the story suggests that insanity isn't too far away.

Differences between American and European Gothic Literature

While American Gothic stems from the European Gothic literature tradition, there are several differences between the two.

Landscape

In European Gothic literature, the landscape is representative of the "Old World," an era before the founding of the United States. Stories feature misty moors, exotic far-off lands, and ominous seascapes. Wuthering Heights (1847) by Emily Brontë is a masterful example of how British Gothic literature uses its landscape effectively. The unruly winds, an unfamiliar and remote land, and haunting apparitions evoke madness, irrationality, and personal torment.

In American Gothic literature, the landscape represents frontier expansion, wilderness exploration, and crossing borders. Nathanial Hawthorne's short story "Young Goodman Brown" (1835), set in seventeenth-century Salem, Massachusetts, is about a young man who ventures from his village into the wilderness and encounters a frightening scene. There, he witnesses his wife and fellow townspeople engage in what he believes to be Satanic worship. His understanding of reality unravels as he grapples with the realization that everyone in his town isn't as Christian as they appeared.

Architecture

Architecture also plays an important role in the story and character development of Gothic literature. In European Gothic literature, the typical architecture includes castles, cathedrals, haunted buildings, and highly pointed vaults and ceilings. The novel The Hunchback of Notre-Dame (1831) by Victor Hugo heavily features Gothic architecture. Set in 15th century France, the Norte Dame cathedral is a central figure in the narrative.

Written by Nathaniel Hawthorne, the novel The House of Seven Gables (1851) takes place inside the Pyncheon's New England family ancestral home, where ghost hauntings, crime, suspicions, and witchcraft are woven in with tales of romance and family heritage. The house, which became dungeon-like, symbolizes the family's greed, curse, rise to power, and eventual fall.

A house in a gothic story may look like this one, Pixabay.

Social Structures

Female British Gothic writers from the eighteenth and nineteenth centuries, such as Ann Radcliffe (1764–1823), Mary Shelley (1797–1851), and Emily Brontë (1818–48), used their fiction to critique male power at the time.

Their Gothic novels dealt with repressed sexual desires, confinement to the home, isolation from society, and their general discontent with the domestic sphere. Using gothic tales mixed with supernatural elements allowed women writers to avoid the common marriage plot and, instead, explore the darker side of humanity and the blurred lines between disillusionment and reality.

Just like female British Gothic writers, writers of American Gothic use social structures as prominent elements in their novels. Nathaniel Hawthorne wrote a commentary on the tragic effects of religious idealism in his novel The Scarlett Letter (1850). William Faulkner depicted the decline of Southern morals and values in The Sound and the Fury (1929), and Harper Lee in To Kill a Mockingbird (1960) exposed the consequences of race and the law being intertwined.

American Gothic Analysis

While each novel, poem, or short story in the American Gothic genre will have its own unique meaning, several themes are present in this genre:

The Rational Cannot Overcome the Irrational

Despite their best efforts, characters in American Gothic literature are unable to overcome the irrational using logic and reason.

The Past is Alive

In many works of American Gothic, the past has not passed. It's present, fully alive, and wreaking havoc on present-day characters.

The Blurred Line Between Reality and Fantasy

Another theme in American Gothic literature is an inability to fully distinguish what's real and what isn't.