Dark Romanticism

The Historical Context of Dark Romanticism

Dark Romanticism emerged from the Transcendentalist Movement in the nineteenth century, another subgenre of Romanticism. Whereas the transcendentalists believed in the good of people and their inner divinity, dark romantics believed that humans are naturally drawn to the evil forces of life.

Dark romantics rebelled against the Puritans who enforced a religious and moral code on society and judged those who did not conform.

Dark Romantics struggled to conform to the Puritan notion of perfection and instead wanted to write about the sins and evils of humanity.

Characteristics of Dark Romanticism

When analyzing a Dark Romantic text, many key characteristics distinguish it as a literary genre. The four main elements and characteristics to look for include

• an individual who is prone to sin and self-destruction,
• the anthropomorphization of Evil,
• nature as sinister and spiritual,
• and an individual’s inability to make changes for the better.

Individuals Prone to Sin and Self-Destruction

Transcendentalists believed that humans possess the ability to attain divine perfection. Dark romantics believed the opposite. They believed humans are naturally prone to commit acts of sin and fall into traps of self-destruction. Many prominent Dark Romantic authors, such as Edgar Allan Poe and Nathaniel Hawthorne, included protagonists in their written works who commit acts of sin. An example can be found in Nathaniel Hawthorne’s The Minister’s Black Veil (1836).

In this example, Mr. Hooper, who is a pastor, begins to wear a black veil while he recites sermons and officiates funerals and weddings. It causes general panic through the congregation, with many believing the black veil reveals the holy man must have committed some sin. Here we see a man who may have gone down a dark and sinister path, allowing it to affect his character as a pastor who is supposed to honor and spread the Holy Word of God.

Anthromorphization of Evil

Transcendentalists believed that divinity could be found anywhere. Dark romantics took this idea of an ever-present divinity and created the idea that evil is ever-present. Evil becomes anthropomorphized in the form of ghouls, ghosts, vampires, Satan, and demons.

In Edgar Allan Poe’s short story The Imp of the Perverse (1845), the main character believes that an “invisible fiend” caused him to commit murder. The same “invisible fiend” then causes the main character to confess his crimes. The invisible fiend is an anthropomorphization of evil as it whispers to humans as a real person would.

Nature as Sinister and Spiritual

In Romantic literature, nature is seen as a spiritual realm full of beauty, poetry, and the sublime. Transcendentalists further believed nature is a divine force. Dark Romantics, however, saw nature as a hellish place full of decay and mystery.

Nature can reveal spiritual truths about humanity that are dark and sinister. An example of this viewpoint of nature is Herman Melville’s Moby Dick (1851). In Moby Dick, Captain Ahab seeks revenge on the whale named Moby Dick who had previously bit off his leg. Throughout the novel, readers can find examples of the truth-telling power of nature, especially in how Melville describes the sea.

In this excerpt from Moby Dick, we see a perfect example of how the dark romantics viewed nature. Pay close attention to the adjectives Melville chooses to describe the sea and the creatures that lurk beneath the surface. The adjectives conjure feelings of fear, awe, and unease. Nature is not a place for comfort; rather it is a place full of hidden dangers.

An Individual’s Failure to Make Change for the Better

Transcendentalists believed that social reform could help make people and the world better; however, the dark romantics had a more pessimistic point of view on human nature. They believed that no matter how good a person tries to be or how much good they try to enact, they will always be led astray down a darker path. They had no hope that humans can truly achieve goodness.

An example can be found in Herman Melville’s Bartleby the Scrivener (1853) where Melville demonstrates the harm of charity when done with the wrong motivations. Charity is associated with positive social actions whereby the fortunate give to the less fortunate without an expectation of return. However, in Bartleby the Scrivener, Melville shows us that charity can be used as a system of costs and returns.

The lawyer who hires the character named Bartleby, an efficient and thorough scrivener, believes that by hiring Bartleby, he is doing an act of charity, thereby giving the lawyer a good conscious. However, he only keeps Bartleby on as an employee because Bartleby will accept the minimum pay but produce excellent work.

Examples of Dark Romanticism Authors: Stories and Poems

The three most famous dark romantics who are considered pioneers in the genre are Edgar Allan Poe, Herman Melville, and Nathaniel Hawthorne. Literary critics have recently begun to include Emily Dickenson as another essential Dark Romantic poet.

Edgar Allan Poe

Edgar Allan Poe (1809–1849) is considered an exemplary dark romantic. Poe was a poet, writer, critic, and editor. His short stories and poems are the most famous of his written works. They often focus on mystery, macabre, and death. Murder and paranoia are common in his works as well. The individuals in his short stories and poems are often led astray and commit acts of sin. Poe heavily criticized transcendentalism, famously calling them “Frog-Pondians,” stating that their work was “mysticism for mysticism’s sake.”

Some examples of Edgar Allan Poe’s short stories and poems include:

• The Tell-Tale Heart (1843)
• The Black Cat (1843)
• “The Raven” (1845)
• “Ulalume” (1847)
• “Anabel Lee” (1849)

Emily Dickinson

Emily Dickinson (1830–1889) was a little-known poet during her lifetime. At that time, she was known to be reclusive and only published ten poems. After her death, Emily’s sister Lavinia found over 1800 poems written in an unconventional writing style. In 1955, The Poems of Emily Dickinson was published and her work was shared on a larger scale for the first time. Today she is regarded as one of the most important American poets to have ever lived. Her work centers on the themes of death, illness, and immortality and typically include nature and spirituality as motifs.

Some of Dickinson’s most famous Dark Romantic poems include:

• “If I Should Die” (1955)
• “You Left Me” (1955)
• “Hope is the Thing with Feathers” (1891)

Herman Melville

Herman Melville (1819–1891) was an American novelist and poet. His novel Moby Dick (1851) is considered to be an essential American classic and is his most famous work. His novels include individuals who are in constant pursuit of becoming superhumans, only to be limited by doubt, the uncertainty between truth and illusion, and morality. He questions God’s existence, nature, the universe’s lack of care, and the problems that arise from evil. His focus on such themes makes him a prolific dark romantic.

Some of Melville’s novels and poems include:

• Moby Dick (1851)
• Billy Bud (1924)
• Typee (1846)
• “A Dirge for Mcpherson” (1864)
• “Gettysburg” (1866)
• “Gold in the Mountain” (1857)

Nathaniel Hawthorne

Nathaniel Hawthorne (1804–1864) is an American novelist and short-story writer who focused his work on questions of religion, morality, and history. His stories act as cautionary tales about how human nature is inherently full of guilt, sin, and evil. The protagonists of his novels are typically females who have sinned in some way and must face the consequences. He is most famous for his novel The Scarlet Letter (1850), which is about a woman who has a child out of wedlock and must repent for her sinful actions under Puritan law.

Some novels written by Hawthorne are:

• The Minister’s Black Veil (1836)
• Twice-Told Tales (1837)
• The Scarlet Letter (1850)
• The House of Seven Gables (1851)

Interesting Facts: Gothic Literature versus Dark Romanticism

Dark Romanticism is often confused with Gothic literature. So what is the difference between the two?

Perhaps you’ve heard of Bram Stoker’s Dracula (1897) or Mary Shelley’s Frankenstein (1818). They are two of the most famous novels in the Gothic literature genre. Gothic literature has a few key elements. The atmosphere of the novel is mysterious and suspenseful. Supernatural events and non-human creatures may appear in the novel. Gothic novels are dark and may inspire horror or an emotional reaction in the reader.

Gothic literature sounds very similar to Dark Romanticism. They share similar elements of horror, fear, and the supernatural. Some of the authors mentioned above, including Edgar Allan Poe, are also considered Gothic writers. However, the main difference between Gothic literature and Dark Romanticism is the underlying message of the texts.

• Dark romantics emphasize the fallibility of human beings. They believed that all humans are prone to sin and self-destruction.
• Gothic literature wants the reader to feel an intense emotion while focusing on the sublimity of decay and an element of horror.