Henry Fielding

The Biography of Henry Fielding

Henry Fielding was born in 1707 in Somerset, England. Fielding's mother died when Fielding was young, leaving him in his grandmother's care after she settled a suit for custody from Fielding's father, Lt. General Edmund Fielding. He grew up in London, attended Eton College, and later studied classics and law at Leiden University. When he went to Leiden, he was quickly sent back to London due to a lack of finances.

Fig. 1 - Fielding grew up and worked in London

Back in London, Fielding began to write plays aimed at criticizing the government, specifically the prime minister at the time, Sir Robert Walpole. Fielding's plays belonged to the political satire genre. Due in part to Fielding's inflammatory plays, including the anonymously written The Golden Rump (1737), the Theatrical Licensing Act of 1737 was passed.

Unable to write his political satires, Fielding left the theatre and became a barrister in the British Government. Fielding, his wife, and two children often faced bouts of poverty but were saved by the philanthropist Ralph Allen.

Fielding continued writing political satire in the form of printed plays under pen names to stay anonymous. Fielding wrote anonymously for a periodical called The Craftsman between 1734-1739. The Craftsman was a Tory publication that criticized the prime minister's involvement with corruption.

Fielding wrote many politically charged pieces throughout the 1730s and 1740s, including his version of the play Don Quixote (1734), The Universal Gallant (1735), and Pasquin (1736). Fielding also worked as a writer and editor for the satirical paper The Champion and as a chief writer of the Whigs under Henry Pellham. After Samuel Richardson, an English novelist, published his successful novel Pamela (1740), Fielding decided to write his novels. His first novel was called Shamela (1741), a parody of Pamela. He published it anonymously under the name Mr. Conny Keyber.

Fig. 2 - Fielding's first novel is a parody called Shamela

Fielding then wrote The History of the Adventures of Joseph Andrews and His Friend, Mr. Abraham Adams (1742). This novel was unique for Fielding's use of both poetry and dramatic comedy. Fielding wrote a few more novels, such as The Female Husband (1746), before writing his most famous piece, The History of Tom Jones, a Foundling (1749).Along with his successful writing career, Fielding continued working in politics. He became London's chief magistrate and was concerned with criminality in London. He is credited with founding the Bow Street Runners in 1749, London's first police force. In 1752, he wrote Examples of the Interposition of Providence in the Detection and Punishment of Murder. In 1753, he wrote Proposals for Making an Effectual Provisions for the Poor, both concerned with reducing corruption in London and providing humanitarian justice to the poor. Fielding suffered from cirrhosis of the liver and gout. He went to Portugal for treatment but died in 1754. He is buried in Lisbon in the British cemetery.

Henry Fielding and the Modern English Novel

Henry Fielding and Samuel Richardson are credited with founding the Modern English Novel. Different sources claim different novels as the first true English novel, but most come from the 15th and 16th centuries.

Early English Novels were longer stories written in prose that centered around a fictional plotline with fictional characters. Usually, they would be inspired by tales and stories from the past. The Modern English Novel, however, changed English literature. The main characteristics of the Modern English Novel, found in many of Fielding's novels, include realistic settings and plots, characters of all social classes facing real-world issues, extensive use of satire, and the concept of individualism.

Novels by Henry Fielding

Fielding wrote many satirical plays throughout his literary career, but he is most well known for being a contributing founder of the Modern English Novel.

The History of the Adventures of Joseph Andrews and His Friend, Mr. Abraham Adams (1742)

The History of the Adventures of Joseph Andrews and His Friend, Mr. Abraham Adams (1742) follows the story of a footman named Joseph Andrew and his friend Abraham Adams as they venture to London together. It is a comedic story that follows the pair through many misadventures. The two are challenged with questions of morality, especially the question of chastity in the face of desire. Joseph Andrews is considered a Mock-Heroic and Neoclassical novel that fits into the Augustan Age of Literature.

The History of Tom Jones, a Foundling (1749)

The History of Tom Jones, a Foundling (1749), also known as Tom Jones, is Henry Fielding's most famous novel. It follows the story of Tom Jones, an orphan adopted by Squire Allworthy who believes Tom to be his illegitimate child. The novel focuses on the romance between Tom and his neighbor, the virtuous Sophia Western. The bildungsroman and satirical novel fit into the Picaresque genre of literature. The novel, through the character of Tom Jones, evaluates the flaws of human nature and virtue.

Fig. 3 - Many of Fielding's novels contain elements of Comedy such as irony and mockery.

Amelia (1751)

Henry Fielding's final novel, Amelia (1751), focuses on the newlyweds Amelia and Captain William Booth as they grapple with challenges such as false imprisonment, desire, and debt. The novel is classical and alludes to many works by the Roman author, Virgil, namely his epic The Aeneid (29-19 BCE). The novel contains themes related to gender, such as the intelligence of women. It is a domestic novel that is more sentimental in tone than his other novels, which are satirical and comedic.

The Writing Style of Henry Fielding

Henry Fielding wrote during a period of literary history known as the Augustan Age.

Henry Fielding spent most of his career writing political satires, Mock-Heroic novels, and Picaresque novels.

Henry Fielding's political satires use humor and irony to criticize the British Government of Prime Minister Sir Robert Walpole and point out flaws in the literary censorship under the current government. Due to the Theatrical Licensing Act of 1737, Fielding felt suffocated and unable to freely express his political opinions.

Fielding was also known for his Picaresque novels. The best examples of Fielding's Picaresque novels include Tom Jones and Joseph Andrews, both of which include unlikely heroes who must use their wit and cleverness to navigate usually corrupt aspects of society.

Fielding's writing style is characterized by a sense of realism using straightforward, plain language. Fielding focused on vivid imagery understandable to all classes of society and avoided using figurative and elevated language. Fielding's use of irony and mockery to create comedic storylines also made his novels and plays more attractive to general society.

In this excerpt from Fielding's Tom Jones, the reader can see Fielding's writing style. Fielding describes humorous details using simple language that is easy to visualize, such as Lady Bellaston having to move through the door sideways because her skirt is too large to fit through it. One can also see the irony of an upper-class woman made to look ridiculous in front of lower-class people by curtseying low in front of Mr. Jones.

Quotes by Henry Fielding

To understand the works of Henry Fielding, it is important to be able to analyze excerpts from his written works. Below are a few quotes that point out key characteristics of his writing style.

In this quote from Fielding's novel, Tom Jones, Fielding shows a high level of self-awareness as an author. Fielding was known for going on lengthy digressions throughout his novel to richen the plotline. In this quote, Fielding is justifying his reasoning for digressing to keep the reader engaged. Readers at the time may notice a shift away from the main plot and lose interest, but by announcing he will digress, Fielding is reassuring the reader that the digression is important for the main plot.

In this quote from Fielding's novel, Amelia, Fielding is humorously painting a personified picture of guilt that has ears and is able to listen in on accusations. Fielding meant for the reader to understand that those who have something to hide will be the first to know if they have been accused and will be incredibly defensive. This contrasts with those who are innocent and do not have to worry about any accusations made of them.

In this excerpt from Joseph Andrews, Fielding wants the reader to know that comedic writers, such as Fielding, should align themselves more with reality and the real nature of life than perhaps a poet might. Fielding believed this because humor and comedy are a way to point out flaws or absurdities in everyday life. There is no need to fabricate stories to make a point.