Gerard Manley Hopkins

Gerard Manley Hopkins: Biography

Here, we will look at the early life, background and works of Gerard Manley Hopkins.

Gerard Manley Hopkins Early Life and Drawings

Gerald Manley Hopkins was born into a highly artistic, educated, and religious family. He was the eldest of nine children born to Kate Smith Hopkins and Manley Hopkins in Stratford, Essex, on July 28, 1844. His mother, Kate, was the educated daughter of a physician who shared her love of music, philosophy, and reading with her children.

His mother was particularly fond of Charles Dickens novels. His father, Manley, was the owner of a ship insurance company and was also a published poet and writer. Both Hopkins's parents were devout High Church Anglicans, and he studied the New Testament from an early age.

Gerard Manley Hopkins's artistic aunt and uncles taught and encouraged him in sketching. His great-uncle, Richard James Lane, was a renowned engraver and lithographer. As a child, Hopkins wanted to be a painter and was inspired by the Pre-Raphaelites and John Ruskin's (1819-1900) artwork.

Hopkins’s love for sketching, painting, and the fine arts influenced his writing. Gerard Manley Hopkins grew to be talented artist who worked on sketching and drawings throughout his lifetime. He often drew plants and scenes from nature.

Fig. 2 - Hopkins was often inspired by the natural world around him.

Hopkins moved to Hampstead as a child, where there was more space to enjoy nature. He had a deep love of the outdoors from a young age. His home in Hampstead was close to where the Romantic poet, John Keats, had lived and written about three decades back.

Gerard Manley Hopkins Education

As a boy, Gerard Manley Hopkins attended the Highgate school, where he wrote poetry and developed his love for language. In 1863, he went to study classics at Balliol College of Oxford University, focusing on Greek and Latin. At Oxford, he kept kept writing poetry and made friends with Robert Bridges, who would be Poet Laureate, a physician, and a lifelong friend who would edit and publish Hopkins's work posthumously.

Hopkins was raised to be a devoted Anglican, but he entered the Roman Catholic Church during his time at Oxford in 1866. This caused estrangement with many of his family members, but was not a decision he went back on. Hopkins's conversion was sparked by a conversation with John Henry Newman.

John Henry Newman (1801‐ 1890) was a Catholic priest, poet, and theologian, who was originally an extremely high-ranking Anglican priest. Hopkins left Oxford in 1867, taught at John Henry Newman's school in Birmingham for a year, and then joined the Jesuit Order in 1868 to study to become a priest.

Fig. 3 - Hopkins was influenced by John Henry Newman, a Catholic priest.

At this transitional period of his life, Hopkins decided to burn his poetry, as he saw it as a distraction to adapting to the priestly way of life. He did not write poetry for around seven years while training and studying for the priesthood.

Hopkins's Catholic faith and spirituality would eventually inspire a great deal of his poetry. For part of his Jesuit formation, Hopkins studied prayer, spirituality, and philosophy. He was particularly interested in the philosophy of John Duns Scotus on the unique selfhood and individuality of each living thing. This philosophy can be reflected in his writing.

Hopkins taught young Jesuits in London in 1873 and then went to St. Beuno's College in Wales to study theology in 1874. This occasion would mark a pivotal revival in Hopkins's poetry writing.

Gerard Manley Hopkins as a Priest and Poet

Amidst the beautiful scenery of St. Beuno's College and with a cheerful disposition, Gerard Manley Hopkins's poetry flourished between the years 1875 and 1877. During these couple of years studying theology, Hopkins wrote "The Wreck of the Deutschland", a 35 stanza poem about a shipwreck that is now known as one of the greatest English odes. During this time, he also composed eleven musical sonnets, including "God's Grandeur" (1918) and "The Starlight Night" (1918).

Hopkins was ordained a priest in 1877 and served around England, Scotland, and Ireland at numerous Jesuit schools and parishes. He often felt pressure from his obligations as a priest and educator, but wrote about people he met, his faith, his feelings of melancholy, and his desire to protect the environment. Hopkins wrote environmental poems such as "Binsey Poplars" (1918) and "Inversnaid" (1918), memorial poems such as "Felix Randal" (1918), and religious poems such as "The Blessed Virgin compared to the Air we breathe" (1918).

Hopkins was requested to be a Greek language and literature professor at a Jesuit College in Ireland in 1884. He initially had a difficult time adapting to life in Ireland. In 1885, Hopkins experienced a period of severe depression, and he felt entirely separated from God. During this period of darkness he composed his so-called "Terrible Sonnets," or "Sonnets of Desolation," which include titles such as "I wake and feel the fell of dark" (1918) and "No worst, there is none" (1918).

Gerard Manley Hopkins Death

In 1889, Gerard Manley Hopkins felt a lack of inspiration for his poetry, which he described in a final poem to his good friend and fellow poet, Robert Bridges, called "To R.B." Hopkins caught typhoid in Dublin soon after and died suddenly on June 8, 1889, at the age of 44.

Gerard Manley Hopkins Legacy

Hopkins was not known as a poet during his lifetime. He focused on his priestly vocation and hardly published any of his work. However, after his death, Hopkins's good friend, the famous poet, Robert Bridges, collected and edited his work for publishing. In 1918, a collection called Poems was released, which included many of Hopkins' most famous poems, such as "The Windhover," "Pied Beauty", and "Binsey Poplars".

Hopkins rapidly rose to fame in the 1930s and 1940s. He is now known as a precursor of Modernism, and one of the most unique and influential poets of the Victorian Era (1837‐1901). Gerard Manley Hopkins has been cited as an inspiration to writers such as T.S. Eliot, C.S. Lewis, Dylan Thomas, W.H. Auden, Sylvia Plath, John Berryman, Ted Hughes, and Seamus Heaney.

Hopkins is known as a contemporary of the English poet, Christina Rossetti (1830‐1894). Christina Rossetti also lived during the Romantic and Victorian age, and she wrote about Christian themes in children's poetry.

Although Hopkins lived during the Victorian Era, his writing did not conform to the styles of the time. While Victorian poetry shifted away from the Romantic idealization of nature in favor of realism, pessimism, and themes relating to science and technology, Hopkins maintained the Romantic emphasis of nature with a more experimental approach to poetic form.

Gerard Manley Hopkins focused on his love of sounds, words, music, and rhythm, rather than on trends and strict guidelines for poetry. For example, rather than sticking to iambic pentameter, or the alternation between unstressed and stressed syllables in a ten syllable line of poetry, Hopkins used sprung rhythm, which counted the stressed syllables in a line, but let the number of unstressed syllables vary.

Collected Works of Gerard Manley Hopkins

As Hopkins's poems were unpublished at the time of his death, his friend, Robert Bridges, collected and edited his poems, which were released in a book called Poems of Gerard Manley Hopkins in 1918. The collection included "Binsey Poplars", "Pied Beauty," and "The Windhover". Poems of Gerard Manley Hopkins initially sold slowly, but a second edition published in 1930 became quite popular, establishing Hopkins as a significant poet of the Victorian Era.

Gerard Manley Hopkins Poems

Hopkins's poems are known for their vivid imagery, themes related to God, religion, and nature, and unique use of language with sprung rhythm, interesting rhymes, invented words, and alliteration.

Famous Poems by Gerard Manley Hopkins include:

• "The Windhover"
• "The Wreck of the Deutschland"
• "God's Grandeur"
• "I wake and feel the fell of dark"
• "No worst, there is none"
• "Carrion Comfort"
• "Spelt from Sibyl's Leaves"
• "Pied Beauty"

Gerard Manley Hopkins Sonnets

Hopkins loved the musicality of the sonnet form of poetry. He wrote many sonnet poems and experimented with their form. Most of his poems were variations of sonnets with the number of lines and numbers of syllables per line varying from the traditional Italian 14 sonnet with 10 syllables of iambic pentameter per line. Hopkins also experimented with setting sonnets to music.

During a difficult period of his life, Hopkins wrote six sonnets known as his "Terrible Sonnets" or "Sonnets of Desolation" because they were written during a time he felt disconnected from God and was lacking God's consolation. "Carrion Comfort" (1918) "I wake and feel the fell of dark"(1918) and "No worst, there is none" (1918) are all "Terrible Sonnets," not because of their quality, but because of Hopkins's depressed state while writing them.