How We Became Human

Joy Harjo's Poems: How We Became Human

Joy Harjo is a Native American poet and member of the Muscogee (Creek) Nation. She was born in Tulsa, Oklahoma, in 1951. After studying at the Institute of American Indian Arts, she earned her BA at the University of New Mexico and her MFA from the Iowa Writers’ Workshop.

Harjo published her first poetry collection, The Last Song, in 1975. In 2019, she became the first Native American to hold the position of Poet Laureate of the United States. She served three terms (only the second poetry consultant to do so) and was succeeded by Ada Limón on July 12, 2022.

Fig. 1 - Joy Harjo became the first Native American to serve as the United States Poet Laureate.

Much of Harjo's work is inspired by her identity as a Native American. Her poetry speaks to the beauty and power of indigenous peoples as well as the ever-present oppression indigenous peoples face at the hands of white society. Harjo's poetry is often autobiographical and deeply connected to place, notably the Southeast, the Southwest, Alaska, and Hawaii. Many poems in How We Became Human are inspired by the myths and traditional storytelling of First Nations people.

Throughout her career, Harjo has written nine books of poetry, two children's books, and various other publications. Much of her work ironically centers around the limitations of language. Nonetheless, Harjo's writing speaks to the necessity of having a voice and speaking one's truth. She has said,

How We Became Human Poems Summary

How We Became Human includes poems from seven of Harjo's previous collections and a selection of 13 previously unpublished poems. Spanning 28 years of Harjo's early career, the poems in How We Became Human cover a wide variety of styles and content.

"Remember"

"Remember" was first published in Harjo's 1983 collection She Had Some Horses. The poem utilizes repetition as the speaker implores the reader to remember their connection to the earth, nature, and other living things. The poem primarily focuses on birth as the source of connection, linking people to the sky, the stars, the sun, and the earth.

The speaker personifies animals, plants, and trees to argue that each living entity has a history and a story, making them more similar to humans than humanity often admits. The constant repetition of the word "remember" suggests that people often forget this critical information, which forms the root of humanity's relationship to the world.

"The Flood"

First published in The Woman Who Fell From the Sky (1994), "The Flood" is a coming-of-age prose poem that links the loss of innocence with the watermonster in Muskogee Creek myth. The speaker remembers her first encounter with the watermonster when she was 16. He was dressed as a seductive warrior, and after their fateful interaction, she was ostracized by her community.

The speaker came to be viewed as the wife of the watermonster and a cautionary tale herself. Others came up with their own tales to explain her fall from grace—the most popular story being she drowned in the lake after drinking and driving. Now years in the future, the speaker warns that people no longer see myths and cautionary stories as a reflection of themselves. Because they ignore their history, no one will be prepared when rain floods the world and they must confront their own monsters.

Fig. 2 - The watermonster that steals innocence is described as a snake.

"3 A.M."

One of Harjo's earliest published poems, "3 A.M." was included in her first poetry collection, The Last Song. Set in an Albuquerque airport at three in the morning, the Native American speaker and her companion are trying to get a flight to Old Oraibi, Third Mesa. The attendant working the desk doesn't know why they would want to go to a rundown city like Third Mesa when Chicago and New York are so much more important.

The speaker feels silly and insignificant at first, but she suddenly has an epiphany—her identity is tied to Third Mesa: going home means going back to herself. Even in the middle of the night, it is never too late to find oneself.

"When the World as We Knew It Ended"

"When the World as We Knew It Ended" was published for the first time in How We Became Human. The poem responds to the September 11, 2001, terrorist attack on the United States using an indigenous lens.

Without detracting from the grief of the present moment, "When the World as We Knew It Ended" contends that the world has been "ending" for Native Americans since missionaries and colonizers first arrived in the Americas. For centuries, indigenous peoples have sat back and watched as colonizers pillage the land and fight for one another for control. The speaker argues her people have been watching the end of the world approach for a very long time. The day has finally come where American society is so shaken it can never go back to how it was before. But amidst the pain and devastation, art and nature offer hope that can help society rebuild.

Fig. 3 - "When the World as We Knew It Ended" responds to the tragedy of September 11, 2001.

How We Became Human Analysis

One of the first things readers often notice about Harjo's writing is her unique poetic form. The majority of Harjo's poetry differs from the strict conventions of the Western world. While European poets often adhere to set forms like sonnets, odes, and ballads, Harjo's poetry is free-flowing. It can sometimes be difficult to know where one line breaks and the next begins as the lines build and grow off one another.

Harjo's writing is a rejection of strict Western society and a reflection of her indigenous roots. Instead of conforming to a status quo set by others, Harjo makes her own rules to align with her values and cultural background. Instead of seeing things as individuals that need to be pigeonholed into a box, Harjo sees life as interconnected and dynamic, free to change and become. This is reflected in her poetry.

How We Became Human Book: Themes

The themes inherent in Harjo's poetry also reflect the values of indigenous culture. The main themes in How We Became Human are the power of connection, the relationship between humanity and nature, and the importance of indigenous life and experience.

The Power of Connection

Many of Harjo's poems speak to the connection that tethers all humans to one another and the world at large. Connection is a powerful force because it makes people think of themselves not as individuals who exist as isolated entities but as an essential part of a larger, co-dependent system. This is explicitly expressed in "Remember," as the speaker says,

By emphasizing connection, Harjo argues that people are not as different and divided as they perceive. Each human being experiences life, happiness, pain, and death. These experiences create the foundation of what it means to be human.

Fig. 4 - Harjo's poetry emphasizes the power of connection.

At one point or another, everyone undergoes a coming of age and a subsequent change in identity. Despite individual differences, humans are connected through the bonds of life. Harjo expresses this in "The Flood," saying,

Connection empowers people by reminding them they're not alone and calls them to rethink their position in the world around them.

The Relationship Between Humanity and Nature

Harjo honors the natural world's value by celebrating its beauty and importance. Generally, Native Americans hold a deeper reverence for nature than their European counterparts. This is due partly to the fact that indigenous prosperity and spirituality are tied closely with the health of the land. In Western culture, on the other hand, the earth is not regarded as a living being but rather as a source of profit. Harjo speaks to the relationship between humanity and nature in many poems throughout the collection.

In "Remember," she directly conflates the diversity and beauty of human existence with the diversity and beauty of the earth:

Harjo subtly reminds readers that the essence of humanity is tied up in the earth. Without the earth, none would survive.

The power of the earth is taken further in "The Flood," where nature imagery is interposed with life-altering change. When the speaker first meets the watermonster, her young sister: "...laughed at a woodpecker flitting like a small sun above us and before I could deter the symbol we were in it." Regardless of the conflict happening in the human world, the natural world prevails. This is echoed again in "When the World As We Knew It Ended," when the natural world signals the devastation of the terrorist attacks but remains beautiful and resilient despite the threat to human life:

The Importance of Indigenous Life and Experience

As a member of the indigenous community herself, Harjo's writing often speaks to the importance of indigenous life and experiences. In doing so, she does not shy away from the harsh truth of her people's existence—White society has oppressed Native Americans for centuries. Harjo's poetry speaks to the whitewashing of indigenous history, the attempt to eradicate indigenous voices, and the social obstacles Native Americans face regarding housing, education, job opportunities, and even food supplies.

While portraying the oppression and dehumanization her people have faced, Harjo simultaneously celebrates indigenous experiences. Her poetry often includes traditional myths that act as a guide for contemporary Native Americans while honoring their history. In "The Flood," the speaker warns that forgetting these important myths is dangerous:

The speaker implies that myths are the only things that have the power to save everyone from their amnesia and ignorance. Without honoring their ancestor's pasts, people are doomed to failure.

In "When the World as We Knew It Ended," indigenous values allow the speaker and her community to rebuild quickly after the devastating terrorist attacks. While the rest of America is shattered, Native Americans can pick themselves up and keep pushing on. Instead of prioritizing power and glory, indigenous people find the most value in life and community, which gives them hope:

Harjo elevates indigenous voices, values, and customs throughout the entire collection.

How We Became Human Poetic Devices

Harjo's poems are full of poetic devices that give the collection its vivid, beautiful quality. Utilizing enjambment to alliteration, Harjo's poetry has a free-flowing, musical quality. Although many literary devices contribute to Harjo's style, the two that dominate her work are personification and imagery.

Personification

Harjo uses personification to give nature agency and prominence. For Harjo, the natural world is just as important and expressive as the human world, as she attempts to show how the two are inextricably connected. In "Remember," human birth is connected to the sky, stars, moon, and sun:

The speaker elevates the cycle of nature and gives the natural world purpose and history. It isn't just a separate entity, but "she," a mother figure directly tied to human life.

Personification also plays a decisive role in "When the World as We Knew It Ended," when the "conference of birds" (23) and the "winds who gathered intelligence" (35) warn the indigenous community about the devastation. The natural world is depicted as wiser and more potent than humans give it credit.

Imagery

The imagery used throughout the collection is also deeply tied to the natural world. The vivid descriptions present nature as beautiful yet dangerous. While most of the natural imagery is lilting—with its "sweet grasses" and "many-colored horses" (40-41, "When the World as We Knew It Ended"), Harjo does not flinch from acknowledging the dark, dangerous power that exists in the natural world. This is especially apparent in "The Flood," as the speaker sees pain and loss in the form of the sea snake:

While Harjo celebrates natural beauty, she does not only love nature for how it benefits humankind. She accepts the world for both its beauty and its dangers, rejoicing in everything it is.