Li-Young Lee

Li-Young Lee's Family Background and Early Life

Li-Young Lee is a descendent of a politically powerful Chinese family. Lee's maternal great-grandfather, Yuan Shikai, was the first president of the Republic of China, who later attempted to become emperor. Lee's father was a personal physician to Mao Zedong (who founded the People's Republic of China) while in China.

Fig. 1 - Yuan Shikai, Li-Young Lee's great-grandfather and the first president of the Republic of China.

As a result of the new Communist state in China, Lee's family fell out of favor. Lee's father was Christian and pro-Western, and these beliefs resulted in the family's exile and relocation to Indonesia, where Li-Young Lee was born. After the Lee family's relocation, Lee's father aided in founding Gamaliel University, a Christian college.

At this time Indonesia's dictator, Sukarno, began spreading anti-Chinese sentiment, and in 1958, just a year after Lee was born, Dr. Lee was arrested. Dr. Lee spent 19 months in prison in Indonesia, and upon his release the family began a supervised exile in Macau. The family escaped this exile and spent the next five years trekking through Hong Kong and Japan, before finally settling in the United States in 1964, when Lee was seven years old. Dr. Lee became the minister of a Presbyterian church in Vandergrift, Pennsylvania.

Li-Young Lee's Career

Despite Li-Young Lee's father reading to him frequently as a child, Lee did not begin writing poetry until he began attending the University of Pittsburgh, where he studied under poet Gerald Stern (who later wrote the introduction for Lee's book Rose (1986). Lee credits his father with helping him encourage his passion for language and writing. Lee was also influenced by Classical Chinese poetry from poets such as Tu Fu and Li Bai. Lee published his first collection, Rose, in 1986, and has won numerous awards for his poetry, including but not limited to the American Book Award, the William Carlos Williams Award, and a National Endowment of the Arts Fellowship.

Lee has had a profound impact on Asian-American poetry. Lee commonly writes about race and the experience of being bold and independent in his poetry. Lee's familial experiences commonly make their way into his work, but his work simultaneously speaks to broader issues surrounding Chinese immigrants and Chinese Americans. He is not only a poet, but an activist, a title which is closely linked with the history of poetics and artistry. This work in Asian-American activism gives him a special place in the American canon, and makes him stand out for his personal and independent writing.

Li-Young Lee now lives in Chicago with his wife, Donna, and two sons.

Li-Young Lee's Books

Li-Young Lee has not published as many poetry collections as some poets, averaging at about one collection per eight years, but many of his poetry collections are celebrated and critically acclaimed. A list of all published books, as well as select awards for each collection is included.

Li-Young Lee's Poems

Li-Young Lee has many popular poems, with the most famous certainly being "From Blossoms" (1986). Lee's work is eloquent and rife with stories of Lee's own life and experiences as both a child fleeing from danger, and an adult learning how to navigate the world as an Asian-American immigrant. His work concentrates on grief, love, sensuality, race, and many, many more personal and universal experiences.

Li-Young Lee's Writing Style

Li-Young Lee has a writing style that is unique and bold, sensual and intimate. He commonly uses repetition and

intentional silence to touch on themes such as grief, race, and love—both familial and intimate. Li-Young Lee commonly writes about childhood, using sonics and repetition to give his poetry a sing-song quality and the impression of youth. Lee writes about memory and ancestry as well, concentration on personal memory as well as intergenerational memory. Lee's poems are commonly very approachable by the everyday reader. Lee takes a slow, intentional pace with much of his writing, allowing each word to be absorbed fully before moving onto the next line.

Fig. 2 - Peach blossoms, as in the poem "From Blossoms" by Li-Young Lee.

Li-Young Lee also uses storytelling in his poetry. He continually concentrates on childhood and the passage of time, using symbols to illustrate different stories and tales that may, at times, even read as fables or parables. Lee's poems, such as "A Story", contain refrains or repetition that can lead the reader to have lines stuck in their head or that can lead the poem to feel like there is a consistent structure. Lee writes in free-verse most frequently, but the internal structure of many of his poems can feel as though he is writing in a traditional form. These sonic and structural qualities are, perhaps, replicated from his traditional Chinese poetic influences such as Li Bai.

Li-Young Lee Quotes

Li-Young Lee has many, many beautiful quotations that come from his poetry, interviews, and life's work. Below, are some quotations from select poems, depicting the simplicity and beauty that come from Lee's poetry and worldview.

These closing lines from the poem "From Blossoms" depict the beautiful imagery of the peach blossom and the way in which Lee uses it to discuss the vibrancy of life. Contrary to being a poem about death or life after death, "From Blossoms" is a poem that revels in the senses of the human body, painting life as all the more beautiful for its finite nature. The quotation as listed above is one of Lee's most famous quotations, depicting the peace that comes with letting death fade beyond the background, into almost nothingness.

This quotation, from Lee's poem "Have You Prayed?" is a quotation about inter-generational burden and the responsibility of ancestry. This poem's exploration of ancestry and the ways in which the speaker is beholden to their dead father is a deeply personal interrogation into where we come from and what responsibilities we carry within us from our families, past or present. This is a good example of the ways in which Lee's poetry concentrates on familial relationships and uses refrain in his poetry to create a tone of intentionality.

This quotation, from "Immigrant Blues" focuses on the inter-generational teachings between father and son. The poem opens with "People have been trying to kill me since I was born", a very potent, very real reminder of the world that Li-Young Lee came from, as well as the plight of many Asian-Americans living in the United States. This quotation is not only a quotation about language learning, but it's a reminder that privilege leads to safety. On the other hand, those who come from a dangerous place sometimes attempt to combat that danger with knowledge and, sometimes, healing.

¹ Li-Young Lee, "From Blossoms", Rose 1986.

² Li-Young Lee, "Have You Prayed?", Behind My Eyes 2008.

³ Li-Young Lee, "Immigrant Blues", Behind My Eyes 2008.