On Being Brought from Africa to America

"On Being Brought from Africa to America": Poem by Phillis Wheatley

"On Being Brought from Africa to America" was published in 1773 in the poem collection Poems on Various Subjects, Religious and Moral. Phillis Wheatley was bought as a child through the transatlantic slave trade by John and Susanna Wheatley. Her country of origin is thought to be in Western Africa, likely present-day Gambia or Senegal. She is named after the ship that brought her, The Phillis, and as per tradition, took on the last name of her slave masters.

The strongest and healthiest slaves were traded in the Caribbean where the plantation work was the most demanding. Then the next strongest ended up in the Southern British American colonies as it was mostly comprised of farmland and plantations. Phills, being frail as a child, ended up in New England to be sold as a chambermaid. Wikimedia Commons

Phillis Wheatley quickly learned to read and write with the tutelage of their daughter Mary Wheatley, an aspiring school teacher. She read the classics and quickly learned to read and write in Latin and Greek as well. Often Phillis Wheatley was inspired by heroic tales and incorporated techniques used by other poets. The Wheatleys encouraged her learning and gave her candles to read and write by night.

Below is the poem in full.

"On Being Brought from Africa to America": Summary

The poem opens with Wheatley expressing her gratitude for being brought to America and learning about Christianity. The main thing she remembers about Africa is that, to her, it's a heathen land of nonbelievers. In America, she learned about Christian salvation. Christianity has shown her the light where previously she was dark. Not only is there goodness, but there is also redemption in believing in this God.

She expresses gratitude for this redemption by explaining her previous ignorance. Now that she has this gift, she is incredibly grateful. Phillis Wheatley feels she exists on a higher plane because of her faith.

It's believed that the artist and freedman Scipio Moorhead was commissioned for this portrait of Phillis WheatleyWikimedia Commons

The second half of the poem changes to observations of other Christians. In Wheatley's time, white Christians viewed black people disapprovingly and suspiciously. They saw dark skin color as literally reminiscent of the devil. The last line is self-referential, as Wheatley expressed the possibility of refinement, of acculturation of black people such as herself, who have readily accepted the Christian doctrine. Per God's word, everyone is welcome to salvation.

Analysis of "On Being Brought from Africa to America"

Phillis Wheatley intended this poem as a message to other Christians. The purpose of the poem is to remind Christians to practice what they preach, meaning to behave according to the Bible's central doctrine of equality.

Her ability to accept Christianity challenges the assumptions of many white Christians about black slaves. They believed that people from Africa couldn't be accepted as Christians. Phillis Wheatley shows she is completely capable of being a good Christian and expressing her faith. She sees her coming to America as a blessing.

Wheatley also wanted to remind fellow Christians that inherent in Christian doctrine is inclusion. Anyone can be a Christian. The word itself means "little Christ". If one follows and accepts the teaching of Jesus Christ, they will be readily accepted into the church. If anyone can be saved, then there's implicit equality in this sentiment. Specifically, Jesus preached about helping the poor and misfortunate, the lowest rung of society. He expressed the importance of all reaching heaven's gates and that the wealthy should help those in need.

"On Being Brought from Africa to America": Format

"On being brought from Africa to America" follows an AABBCCDD rhyming couplet format. Each couplet ends in a rhyme. The rhyming scheme gives the reader the rhythm.

The poem also makes use of iambic pentameter. Phillis Wheatley was well versed in classical literature. From the beginning of her new life with the Wheatleys, she was encouraged to learn. She picked up reading and writing very quickly, reading classics and began to translate them from Greek and Latin into English. She was a big fan of contemporary English poet Alexander Pope, who was known for his heroic couplets, a form of iambic pentameter used in epic and narrative poems.

"On Being Brought from Africa to America": Figurative Language

The poem "On Being Brought from Africa to America" has several examples of figurative language despite its short length.

Personification

"Twas mercy"(line 1) that brought Phillis Wheatley from Africa to America. Of course, mercy is a concept not physically capable of transporting anything physically. Thematically it refers to Christianity and God's mercy. Anyone can join the kingdom of God if they just accept Christ into their life. Phillis was expressing gratitude for the opportunity to be a good Christian and live in America. Whether she truly felt this or was performing for a Christian audience is unknown.

Allusion

Phillis Wheatley uses allusion with "black as Cain" (line 7)

In the biblical story of Cain and Abel, Cain murders his brother. God allows Cain to live, but "marks" him for the rest of his life. The mark has been interpreted by white Christians as Cain appearing much darker in skin color. Phillis Wheatley knows her audience is predominantly Christian. She doesn't need to explicitly state that Cain is a reference to the Bible. Readers of her time would likely already know this. Reading the Bible was common, especially if one was a literate Christian in Phillis Wheatley's time.

Irony

Irony also plays a small part in the poem. Phillis Wheatley, a black poet, accepted white Christians in a time when white Christians would not accept the possibility of a black Christian. She praised Christianity and accepts her faith as a gift despite her rejection by white Christians.

"On Being Brought from Africa to America": Tone

At first, the tone is gratitude and acknowledgement of the power of the Christian faith. Then the tone shifts to one of reprimand, reminding Christians to actually behave according to their central belief of equality and salvation for all.

The first half of the poem has Phillis Wheatley expressing gratitude for her salvation. The tone is of gratitude and jubilance, celebrating the fortune she received, as she refers to Africa as a pagan land. Paganism in her time was used disparagingly towards nonbelievers of Christianity. She's grateful for her life in colonial British America and is proudly proclaiming her faith thanks to her fortune of being brought there.

In the second half, her tone changes to one of scolding or reprimanding. She acknowledges that black people are seen as lesser, or as suspicious. Many white people in her time believed black people could not become Christians. It was rare for them to be baptized, as per Christian tradition.

1. Cynthia Salisbury, Phillis Wheatley: Legendary African-American Poet (2001).

2. Molly Aloian, Phillis Wheatley: Poet of the Revolutionary Era (2013)