The Black Walnut Tree

'The Black Walnut Tree' by Mary Oliver Background Information

'The Black Walnut Tree' (1979) is a poem written by the American Pulitzer Prize-winning poet, Mary Oliver (1935‐2019). 'The Black Walnut Tree' was originally published in Oliver's 1979 poetry collection entitled, Twelve Moons. Mary Oliver's poetry focuses on human relationships with nature. She was greatly inspired by long walks through diverse American landscapes.

"The Black Walnut Tree" is typically understood as an autobiographical poem through which the speaker, Mary Oliver, explores her ancestry and relates it to her connection with nature. Oliver was born in Ohio, and the poem speaks of immigrants to Ohio from Bohemia, a former Central European kingdom that is now a part of the Czech Republic. These immigrants were hardworking farmers, who lived off of the land and planted trees. Thus, the black walnut tree in the speaker's yard is a reminder of her family's origins and human dependence on the land.

Fig 2: This walnut tree is a lasting reminder of their ancestors, who were farmers.

"The Black Walnut Tree" Full Poem

In "The Black Walnut Tree," Mary Oliver uses simple, but vivid language to depict both the nature of the mother and daughter and the nature of the tree.

"The Black Walnut Tree" Summary

The speaker and her mother are trying to decide whether they should have the black walnut tree in their yard chopped down. There is an air of hesitance in making this decision.

The mother and daughter present numerous reasons justifying why they should get rid of the black walnut tree. Firstly, the black walnut tree's wood is valuable and they could sell it to help them pay their mortgage (It is implied that the family needs of money). Secondly, the tree presents a possible danger, as a storm may break some of the boughs and smash the house. Thirdly, the tree's large roots are interfering with the water drainage system in the basement. Lastly, the leaves are growing larger and heavier, making the fruit more difficult to harvest each year.

There is a shift in 'The Black Walnut Tree' halfway through the poem, as the mother and daughter begin to consider how their heritage and family history are linked to this tree. The speaker has a dream about her ancestors from Central Europe who came to Ohio as immigrants to plant vineyards and orchards. This dependence on nature and the need to foster it is in their family blood and the mother and daughter agree it would be shameful for them to chop down what originally sustained their family.

In the end, the mother and daughter allow the black walnut tree to remain. It thrives and produces an abundance of fruit, while the family continues to struggle to pay their mortgage each month.

"The Black Walnut Tree" Symbolism

The black walnut tree in the poem is a symbol of the speaker's deep connection to nature through her ancestry. The speaker feels obligated to allow the black walnut tree to live because her ancestors were immigrant farmers who lived off of the fertile land. She believes that the desire to care for and respect nature is in her blood and that chopping down the tree would dishonor her family's past.

"The Black Walnut Tree" Analysis of Form

"The Black Walnut Tree" is written in 35 lines as a single, block stanza. The shape of the block of text made up of short lines resembles a tree trunk. The use of enjambment, chopping up single sentences into multiple lines, evokes the chopping of the tree. The longer lines stick out, suggesting the reaching boughs of the walnut tree, which the speaker mentions could fall on the house.

The poem is a nature poem written in free verse. Mary Oliver uses free verse to allow her poetry to be guided by the flow of sounds. Oliver uses consonance, the repetition of consonant sounds, and alliteration, the repetition of the initial sounds of consecutive words. This repetition of sounds creates a flow to the reading of the poem without featuring a steady, static rhythm or meter. The use of sounds to establish the flow of the poem creates a more natural reading, which reflects the state of nature Oliver is describing.

"The Black Walnut Tree" Analysis of Poetic Devices

The poem, "The Black Walnut Tree" uses numerous poetic devices to present the difficulty of the speaker's decision to cut down the tree and her powerful connection to nature.

Syntax and Irony

Mary Oliver uses the syntax of the first sentence of the poem to create a sense of verbal irony. Oliver uses a semicolon after the phrase "My mother and I debate:" ¹ to suggest that there will be two options presented in this scenario. The word choice of debate has the connotation of opposing opinions and back and forth impassioned discussion. However, the sentence abruptly ends after the proposition to chop down the tree and sell its wood to help pay the mortgage.

This sentence creates irony because there is no debate, it is simply a statement of a presented possibility. Also, the mother and daughter appear to share the same opinions and mindset rather than presenting opposing views.

Word choice/connotation, Sibilance, and Consonance

Throughout the poem, Mary Oliver uses intentional word choices that suggest the mother's and daughter's hesitance and uncertainty in regards to chopping down the tree. In this example, Oliver uses the adverbs "Likely" ¹ and "anyway" ¹ to frame the sixth line of the poem. This mimics how their uncertainty would come across in speech.

Mary Oliver further emphasizes this uneasiness with the use of sibilance and consonance. Sibilance is used in the repetition of the "S" sound. In lines 6 through 8, the "S" sounds create a sinister hiss, as Oliver describes how a storm may come and cause the tree's boughs to smash the house. While in lines, 9 and 10, the "S" sound creates a whispering effect, which reflects the women's discomfort in speaking about chopping down the tree. It is as if they want to keep the information discreet. The difficulty in this decision is further emphasized by the harsh, cutting consonance of the "T" sounds in lines 7 through 10, which break up the smooth reading.

Shift in tone, Analogy, and Juxtaposition

In line 16, halfway through the poem, there is a shift in tone from hesitant and dismal to clear and energetic. The speaker shifts away from justifying getting rid of the tree to focusing on her innate disposition to care for nature. Oliver uses an analogy of the convictions in her blood due to her ancestry with a "sharp and quick" ¹ shovel that desires to plant. Through this analogy, Oliver suggests that the inclination to care for nature is deeply ingrained in her by her ancestors. This desire is in her blood and cannot be easily shaken.

However, Mary Oliver uses juxtaposition to contrast this moment of energetic conviction with inaction, writing "So we talk, but we don't do / anything." ¹ While the family's ancestors cared for nature through vigorous planting and farm work, the mother and daughter care for nature passively, by simply allowing the black walnut tree to keep living.

Fig 3: The trowel, a sharp, pointed shovel used for gardening, reflects the pointed conviction the speaker has that caring for nature is in her blood.

Enjambment, Alliteration, and Imagery

Mary Oliver uses enjambment and alliteration throughout the poem. In this example, she uses alliteration of the "F" sound and enjambment to move the reading of the poem in a flowing fashion. Oliver mimics the dreamlike state of the speaker as one line floats into the next to paint a picturesque scene of the abundant fields. Oliver uses this imagery of the Ohio plains to emphasize the beauty and generous nature of the land.

Personification

Mary Oliver uses personification throughout the poem to suggest the power and life within nature. In this example, she uses the verbs "swings" ¹ and "leaping" ¹ to describe the movement of the tree and winds in a way that imitates a happy human. This personification of nature presents the joyousness of the tree, in being allowed to remain. It is as if the tree rejoices for its own life.

"The Black Walnut Tree" Themes

Roots, ancestry, and identity

The reason the speaker and her mother are hesitant to chop down the black walnut tree is that it is a reminder of their roots and their family ancestry. As the roots of the tree are its foundation, the roots are also underneath the foundation of the family's house. This association reveals the essence of ancestry in the foundational growth and understanding of a person. The speaker and her mother expressed that the desire to plant and care for nature is in their blood because it is how their immigrant ancestors made their living in America.

In the poem, Mary Oliver suggests that the need for connection with family and one's ancestors runs stronger than the need for material things and money. The mother and daughter's identity is firmly rooted in the memory of who and where they came from. Ultimately, they would rather struggle financially than face the shame of dishonoring their "fathers" ¹ and the land that sustained them (Line 22).

The relationship between humans and nature, the power of nature

The poem suggests how humans are deeply linked to nature and how humans and nature are dependent on one another. Though the mother and daughter have their concerns about the inconveniences of the tree, they ultimately have a deep attachment to it. Oliver writes, "But something brighter than money moves in our blood...that wants us to dig and sow" ¹ (Lines 16‐19). The family has instinctive inner compassion for nature and the need to care about it, as it provided for their family years ago.

Ultimately, Mary Oliver portrays nature as being more powerful than human fears and concerns, as the mother and daughter allow the tree to stay despite their growing financial hardships. At the end of the poem, Oliver portrays the tree thriving joyously, while the family feels the weight of the overshadowing, growing mortgage debt. Oliver suggests that nature has a greater power to thrive amidst difficult circumstances than people do.

¹ Mary Oliver, 'The Black Walnut Tree,' 1979.