TS Eliot

T.S. Eliot Facts

The first poem that launched Eliot’s career was "The Love Song of J. Alfred Prufrock" (1917). The poem’s unusual imagery and unique style shocked and scandalized readers and critics. Years later, Eliot published "The Waste Land" (1922), one of the most often-referenced Modernist poems and widely considered to be the most influential poem of the twentieth century.

In addition to poetry, Eliot also published plays and wrote essays on literature. Eliot’s literary criticism provided the foundation for New Criticism, a literary movement that emphasized the impersonal, textual nature of poems and promoted close reading.

In 1948, T.S. Eliot won the Nobel Prize for Literature for his outstanding contribution to poetry.

T.S. Eliot’s Relationships

Eliot had important relationships, both platonic and romantic, throughout his lifetime. In France, while studying at the Sorbonne, Eliot fell in love with American Emily Hale. He and Hale never married, but their correspondence is immortalized in letters they both donated to Princeton and Harvard Universities. Hale was Eliot’s muse for many of his poems, most notably “Burnt Norton” (1935) which appeared in his collection Four Quartets (1935).

Despite Eliot’s confession of love to Hale, Eliot married Vivienne Haigh-Wood in 1915. The marriage was an unhappy one for both; Vivienne struggled with health issues and the two separated in 1933. Vivienne was admitted to a mental hospital in 1938 where she died in 1947. In 1957, Eliot married his long-time secretary from Faber & Faber, Esmé Valerie Fletcher. The two remained married until Eliot’s death.

Ezra Pound, a fellow American poet, was one of the most influential figures in Eliot’s life. Pound’s influence in the world of poetry allowed him to promote Eliot’s early work. Pound also led Eliot around London and introduced him to many important figures in the literary world, and later helped edit his poems. Eliot credits Pound in the dedication of "The Waste Land" for his assistance in editing the lengthy poem.

T.S. Eliot’s Death

In January 1965, Eliot died of emphysema. He was at his home in Kensington where he had lived most of his adult life. Eliot had requested that his ashes be put to rest in Somerset, which was his ancestor’s home.

Works by T.S. Eliot

Despite his fame as a Modernist poet, Eliot published relatively few poems and collections in his lifetime. In later years, he focused on drama —writing plays— and his career as a literary critic through the publication of essays.

T.S. Eliot Poems

Though Eliot published fewer poems than many of his contemporaries, the impact of his poems endures. His first major published poem was "The Love Song of J. Alfred Prufrock." It was "The Waste Land," five years later, however, that launched Eliot into the poetic stratosphere. "The Waste Land" was a highly original, quintessentially Modernist poem that utilized symbolic imagery and formalistic techniques.

When he wrote "The Hollow Men," (1925), Eliot was still in his unhappy marriage and had a desolate outlook. Bleaker than "The Waste Land," "The Hollow Men" is the pinnacle of this dark time in his personal life. Following his conversion to Anglicanism, Eliot published "Ash-Wednesday" (1930). The poem is more concerned with spiritual matters and faith than his previous works. Between 1936 and 1942, Eliot published four poems that he would later gather in a collection called Four Quartets (1943) which he considered his finest work.

T.S. Eliot Books and Drama

Eliot published many collections of his poetry throughout the years, including the aforementioned Four Quartets. One of his most enduring works is Old Possum’s Book of Practical Cats (1939). With this collection, Eliot penned humorous poems about the lives and politics of cats. The book would be adapted into the well-known musical Cats (1981) by Andrew Lloyd Webber.

During his later years, in addition to these poetry collections, Eliot focused on writing plays. Sweeney Agonistes (1934) is a collection of two partial plays, Fragment of a Prologue (1926) and Fragment of an Agon (1927) which were plays written in verse.

Fig. 2 - Eliot's humorous poems about the plight of cats served as the basis for the subsequent 1981 musical and 2019 film

He also published more well-known plays such as Murder in the Cathedral (1935) about the martyred Archbishop of Canterbury Thomas Beckett and The Cocktail Party (1949) based on Greek playwright Euripide’s tragedy Alcestis (438 BCE).

T.S. Eliot Quotes

Eliot’s poems are filled with endlessly entertaining and enlightening quotes. Some of the best-known quotes from his poems include:

This is the opening line of the poem "The Waste Land." Oft-quoted, it immediately sets the tone for the rest of the poem and subverts expectations by setting this spring month as the cruelest of them all. Eliot uses it to juxtapose the growth and new life of spring with a Europe that had just crumbled due to the First World War.

These are the final two lines of Eliot’s "The Hollow Men." The phrase "not with a bang but a whimper" is commonly used in the English language to refer to something that didn’t meet expectations for grandeur. Eliot posits that the end of the world, an event built up in our minds in significance and style, is actually anticlimactic.

From "The Love Song of J. Alfred Prufrock," this quotation shows the speaker’s feelings that he wasted time in his life with repetitive tasks.

T.S. Eliot's Writing Style

Eliot is famous for revolutionizing the poetry of the twentieth century. His background had a profound impact on his poetry: Eliot constantly felt like an outsider and a foreigner. He grew up in a happy American household, but he claimed England as his home. In both places, he felt alien. He studied philosophy and Indic religion, both of which would influence his writing.

Eliot enjoyed metaphysical poetry such as that by John Donne (1572–1631) and French symbolist poetry with its innovative techniques. His own poetry is the quintessential example of Modernist poetry. He rejected Romantic poetry and instead created an innovative personal style that would grant him fame as a Modernist poet.

He often used stream of consciousness, allegory, juxtaposition, and unusual imagery throughout his poems. He utilized these allegorical references to mythology in order to represent the realities of modern life: "The Waste Land" is a mash-up of the Fisher King, the search for the Holy Grail, and modern British society. Juxtapositions came in Eliot’s references, from British realities to Sanskrit texts.

Eliot's disillusionment after the devastation of the First World War proved foundational in 'The Waste Land' (1922).

Eliot’s often obscured the meaning of his poetry, embedding every line with layers of allusion, reference, and grandiose language. This was an intentional effort to force the English language to fit the chaotic inner monologues of his poetry, most notably seen in "The Waste Land."

While Eliot rejected interpretations of his work as trying to represent a generation’s disillusionment following World War I, his own personal opinions toward the state of the world and his melancholic disposition are on full display in his poetry.