American Short Fiction

American Fiction: Short Stories

Short stories have always played an important role in American fiction. Almost all great American writers have produced some short stories, and some are known exclusively for their short fiction. In fact, American writers have been so influential in the field of short fiction that some critics argue that the modern-day short story is an American invention.¹ In any case, some of the most important works of American literature are works of short fiction, so it is essential to acquaint yourself with the genre.

As advances in printing made magazines and other publications more affordable, short stories became popular in the United States in the mid-nineteenth century. These publications often featured short stories, as they were accessible and enjoyable for a wide variety of readers.

Today, the novel has overtaken the short story in popularity among readers; however, American writers continue to write and publish excellent works of short fiction.

Nineteenth Century

Considered by many to be the first great American writer, Washington Irving (1783–1859) is also credited with writing some of the first American short stories. His tales such as “Rip Van Winkle” (1819) and “The Legend of Sleepy Hollow” (1820) were based on German folktales, a long-standing form of short fiction.

However, an early American author who was the short story’s biggest champion was Edgar Allan Poe (1809–1849). Poe’s unsettling gothic short stories, including “The Fall of the House of Usher” (1839) and “The Tell-Tale Heart” (1843), influenced writers worldwide and remain classic examples of American short fiction.

Edgar Allen Poe was very important for the development of the modern American short story, Pixabay.

Poe was also well known for his literary criticism and theory of short fiction. In an essay reviewing the collected stories of his contemporary Nathaniel Hawthorne (1804–1864), Poe argued that the short story might have an advantage over the novel because the author doesn’t risk losing the reader’s attention:

While Poe worked to elevate the short story and turn it into an art form, many American writers found it necessary to sell short stories to various publications in order to make a living as a writer. It was also a way for writers to gain a wider readership and more popular appeal. Mark Twain’s (1835–1910) “The Celebrated Jumping Frog of Calaveras County” (1865) was first published in The New York Saturday Press and helped to jumpstart his literary career.

Jack London (1876–1916), on the other hand, was one of the first American authors to achieve monetary success by writing and selling stories such as “How to Build a Fire” (1902) to various publications across the United States.

Twentieth Century

By the early to mid-twentieth century, during the literary movements of Modernism, Experimentalism, and Postmodernism, short stories became more and more experimental. Short fiction often functioned as a medium for writers to play with style, structure, and various literary theories.

The stories of Ernest Hemingway (1899–1961), including “Hills Like White Elephants” (1927) and collections such as In Our Time, first published in the United States in 1925, exemplified the author’s “iceberg theory” of minimalist fiction. Other key writers of the era, such as F. Scott Fitzgerald (1896-1940) and William Faulkner (1897-1962), also published important short stories, including Faulkner’s “A Rose for Emily” (1930) and Fitzgerald’s “The Curious Case of Benjamin Button” (1922).

Ernest Hemingway is well known for his short fiction, Pixabay.

The Harlem Renaissance of the 1920s and 30s also expanded the reach of short fiction by African American writers, including Langston Hughes (1901–1967) and Zora Neale Hurston (1891–1960).

Towards the middle of the century, short stories by female writers became more widely read in the United States. These included Flannery O’Connor’s (1925–1964) Southern Gothic classic “A Good Man is Hard to Find” (1953), Joyce Carol Oates’ (1938–present) “Where Are You Going, Where Have You Been?” (1966), and Alice Walker’s (1944–present) “Everyday Use” (1973).

African American Fiction: Short Stories

Largely forgotten in the history of American literature, Charles Waddell Chesnutt (1858–1932) and Paul Laurence Dunbar (1872–1906) were two of the first African American writers to embrace short fiction. However, it wasn’t until the Harlem Renaissance of the 1920s and 30s that short stories by African American authors gained a wider readership.

Key figures of the Harlem Renaissance, such as Langston Hughes, Rudolph Fisher (1897–1934), and Zora Neale Hurston, published short stories that remain vital works of American literature. These include Hughes’ “The Blues I’m Playing” (1934), Fisher’s “Miss Cynthie” (1933), and Hurston’s “Sweat” (1926).

Close on the heels of the Harlem Renaissance was the work of Richard Wright (1908–1960). His 1938 collection of four short stories, Uncle Tom’s Children, earned the writer a Guggenheim Fellowship, which permitted him to complete the novel Native Son (1940).

Other important African American figures in American literature are also well known for their short fiction. These include Ralph Ellison’s (1914–1994) “Battle Royal” (1947) and James Baldwin’s (1924–1987) “Sonny’s Blues” and “This Morning, This Evening, So Soon” from the collection Going to Meet the Man (1965).

Native American Fiction: Short Stories

Some people point to fables and folktales as the origin of short fiction. These stories were often told orally and, therefore, had to be short enough for the teller to remember the whole tale.

With strong folklore and oral storytelling traditions, short stories have long been a part of Native American literature. These include stories with high cultural value, such as myths and folktales.

There are also many contemporary Native American authors who write short stories, including Louise Erdrich (1954–present), who wrote the O. Henry Award-winning “Fleur” (1986), and Sherman Alexie (1966–present), who wrote the 2003 collection Ten Little Indians.

American Detective and American Crime Fiction: Short Stories

In 1841, Edgar Allan Poe published what is widely regarded as the first modern detective story: “The Murders in the Rue Morgue.” Poe’s protagonist, C. Auguste Dupin, is generally considered the first fictional detective, and he would become the model for many future detective characters.

In honor of his contribution to the mystery genre, the Mystery Writers of America developed the Edgar Allan Poe Awards in the 1940s, an award that celebrates excellence in mystery writing, film, television, and theatre. The category for short fiction has been awarded to authors such as the master of horror Shirley Jackson (1916–1965) and the renowned crime writer Lawrence Block (1938–present).

As the short story has generally been regarded as a form of popular fiction that is accessible to many readers, it’s no surprise that mystery and crime fiction, some of the most popular literary genres, make substantial use of the short story. Best-selling modern-day crime authors, such as James Patterson (1947–present) and Micheal Connelly (1956–present), also write compelling short stories, and there are numerous literary magazines and anthologies dedicated to short crime fiction.

Contemporary American Short Fiction

While short fiction has largely fallen out of popularity among readers, many contemporary American writers still work in the genre. Like American literature, contemporary American short fiction represents a vast array of styles, subjects, and viewpoints.

Many writers, such as ZZ Packer (1973–present) and Jhumpa Lahiri (1967–present), are experiencing successful literary careers generated by debut short stories. Lahiri’s debut collection of stories, Interpreter of Maladies (1999), won both the Pulitzer Prize for Fiction and the PEN/Hemingway Award.

Other writers who are well recognized for their novel-length work continue to write short fiction that is published in literary magazines and the authors’ own collections. Some notable examples include James McBride’s (1957–present) Five-Carat Soul (2017), Helena María Viramontes’ (1954–present)The Moths and Other Stories (1985), and Junot Díaz’s (1968–present) Drown (1996).

¹ Alfred Bendixen. A Companion to the American Short Story. 2010.

² Edgar Allan Poe. “A Review of Nathaniel Hawthorne’s Twice-Told Tales.” 1842.

³ Ernest Hemingway. “The Art of the Short Story.” 1959.