Flannery O Connor

Flannery O'Connor Biography

Mary Flannery O’Connor was born in Savannah, Georgia, in 1925. Her upbringing in the South heavily influenced her writing, which often features unfiltered and twisted imagery and characters, as well as issues of morality, disability, and racism.

O'Connor is considered part of the Religious Realism movement. Well-known for her dark wit, she is quoted as saying: “Anything that comes out of the South is going to be called grotesque by the northern reader, unless it is grotesque, in which case it is going to be called realistic.¹

Beginnings

This iconic Southern Gothic author was born in 1925 in Savannah and moved to Milledgeville, Georgia, where she would return later in life. Her family was devoutly Catholic, a theme that would show up often in her later writings.

Her father died of lupus the year before her high school graduation. Nevertheless, she was accepted to Georgia State College for Women. She worked for the student newspaper drawing cartoons and graduated in 1945 with degrees in Sociology and Literature after completing a three-year accelerated program. Her early life can be seen as an influence on the dark humor in her later work.

Career

After graduation, Flannery O’Connor was accepted to the State University of Iowa, where she participated in the prestigious Iowa Writer's Workshop under Paul Engle. The literary journal Accent published her first story, titled 'The Geranium' (1946). This story was one of a collection of short stories also named The Geranium (1947), which became her thesis.

O'Connor acquired a Master's of Fine Arts after two years at the State University of Iowa. She stayed one more year in Iowa before traveling to Saratoga Springs in New York State, where she stayed at the Yaddo artist colony. From there, she moved to New York City and met friends who would have a significant effect on her: Robert Fitzgerald, the poet, and his wife, Sally Fitzgerald. They became close friends, even living together in Ridgefield, Connecticut. Sally became the keeper of Flannery’s work.

Yaddo, c. 1905. Wikimedia Commons

Legacy

In total, Flannery O’Connor wrote two novels and thirty-two short stories. Later in life, she gave religion and literature lectures. In 1950, she began to suffer from lupus, just like her father. Because of her health, she returned to Milledgeville and lived on her family's farm with her mother. While living there, she finished her novel Wise Blood (1952), plus two collections of short stories: A Good Man is Hard to Find (1955), her most well-known collection, and The Violent Bear It Away (1960).

O'Connor died on August 3, 1964. She has won numerous awards, including the National Book Award for Fiction, though this one came posthumously in 1972 for her collected Complete Stories (1971). She has grown more famous since her death and has left a lasting influence on the Southern Gothic genre of American fiction, and on literature as a whole.

Flannery O'Connor's Short Stories

Though she also published two novels, O'Connor is remembered most for being a master craftsman of the short story.

'A Good Man is Hard to Find' (1953)

Published in O'Connor's collection of the same name, 'A Good Man is Hard to Find' is easily O'Connor's most well-known work. The story depicts a family driving from Georgia to Florida for a vacation. On the way, the grandmother makes several observations: how there is a convict known as The Misfit on the loose; how seeing a naked black child waving at the car is quaint; how the scenery reminds her of Gone With the Wind (1939); and how children were more respectful in her younger days (in reference to her grandchildren, who often disparage the things she says).

After stopping for lunch, the grandmother is convinced there is a plantation in the area she wishes to visit. She convinces her son, Bailey, to turn down a rocky road. She realizes she mistook the area and didn't actually know where they were, but it's too late. She accidentally disturbs her cat, who has been sleeping between her feet; the cat leaps on Bailey, causing him to lose control of the car and crash into a ditch. Though no one is hurt, the accident was witnessed by three men, one of whom the grandmother recognizes as The Misfit.

In short order, The Misfit has his companions take the family into the woods and shoot them. The grandmother pleads for her life, but The Misfit is unmoved and shoots her as well, blaming Jesus Christ for all the troubles and general state of the world.

The story's religious leanings, especially at the end, are paramount to understanding the story. The Misfit is assuredly a sociopath, yet he rails against the suffering he has seen in his own life, believing humanity's punishment for original sin unjust. To him, death is not a punishment, but a release. By killing his victims, he removes them from the oppression of suffering.

Flannery O'Connor's Themes

Religion

Religion played a key role in her stories, partially because she believed most religious literature on the market to be of low quality. Rather than depicting art through a Catholic's eyes, she strove to depict Catholicism through an artist's eyes, saying, "There is a moment in every great story in which the presence of grace can be felt as it waits to be accepted or rejected, even though the reader may not recognize this moment."

God was in everything, she believed, though he often would turn up in unexpected - and often unpleasant - ways. Reoccurring themes of spirituality, faith, God, and redemption are all woven throughout her writing to reflect God's presence.

Violence

Violence is a common theme in many of O'Connor's short stories and novels. Her characters either encounter violence at some point in the story or are violent themselves. The violent act is often the turning point for a character for them to see a different reality or to give them an eye-opening moment. O'Connor has said about violence in her writing, "I suppose the reasons for the use of so much violence in modern fiction will differ with each writer who uses it, but in my own stories I have found that violence is strangely capable of returning my characters to reality and preparing them to accept their moment of grace."²

In 'A Good Man is Hard to Find', the Misfit murders the entire family except for the grandmother. Afterward, the grandmother and the Misfit have a moment together in a ditch where the grandmother realizes that she is responsible for the Misfit. She accepts her moment of grace, and then he kills her too.

Dark Humor

Flannery O'Connor uses dark humor in her writing to make light of extreme or violent situations. Simultaneously using humor and violence emphasizes the severity of both by creating a noticeable contrast between them. O'Connor stated, "In my own experience, everything funny I have written is more terrible than it is funny, or only funny because it is terrible, or only terrible because it is funny." ³

She uses over-the-top and absurd violence to provoke discomfort or amusement in the reader, which results in stories that engage an audience who may not necessarily be interested in stories with religious themes.

Flannery O'Connor's Quotes

The following quotes from some of Flannery O’Connor’s works of fiction provide examples of her witty and dark style of writing, but also commonly used themes of nature, religion, violence, and disability.

Hazel Motes, the protagonist in Wise Blood, is not a believer in religion as practiced by most people, though he does have an obsession with saving humans from sin. He claims here that "in yourself right now" is all that we have, which implies that redemption can be found within yourself.

Tarwater's love in The Violent Bear it Away as seen in this quote is then starkly contrasted with his anger for having these feelings. This anger he has about his ability to have affection later provokes violence in Tarwater.

O'Connor's religious themes are sometimes very obvious, as seen in this conversation between the grandmother and the Misfit. The two have a long conversation about Jesus, and the Misfit doubts his soul will be saved. As a result, the Misfit does some "meanness" to the grandmother and kills her to enjoy the last few minutes he has left.

Sources

1. Flannery O'Connor, Mystery and Manners: Occasional Prose, 1970.

2. Flannery O'Connor, Reading at Hollins College, 1963.

3. Sally Fitzgerald, The Habit of Being: Letters of Flannery O'Connor, 1979.