Eve Kosofsky Sedgwick

Eve Kosofsky Sedgwick: books

Sedgwick published a wide variety of texts during her career, the majority in the academic sphere. These books and essays are considered to be key in any study of queer theory. Though a heterosexual woman herself, Sedgwick pioneered this area of critical study while also being heavily involved in pro-LGBTQ+ activism. However, Sedgwick did sometimes point out that she felt more like a homosexual man than a heterosexual woman, perhaps hinting towards an identification as transgender.

A common theme that runs throughout Sedgwick's books is the rejection of any and all definable boundaries. She challenged binaries that were commonly accepted in Western society, particularly those that related to sexual and gender identities. Sedgwick encouraged a more expansive and open-minded way of seeing critical theories and literary criticism. She also consistently shone a light on marginalised communities, challenging the systems of oppression that led to this marginalisation. This is particularly prevalent in her frequent mentions of the AIDS crisis in her work, something that Sedgwick was personally impacted by. She lost friends to the disease, which motivated her efforts to expand on the study of queer theory and bring it into the mainstream.

Eve Kosofsky Sedgwick: Epistemology of the Closet (1990)

Epistemology of the Closet is a central text in modern queer theory. In her book, Sedgwick challenges the restrictive idea of binaries in the definitions of human sexuality. She argues that the majority of society, at her time of writing, defines heterosexual and homosexual as two opposites with concrete definitions. Those who have this belief sometimes see heterosexuality as superior due to their biases. However, Sedgwick argues that there is much more fluidity to human sexuality than this. Not every person is inherently bisexual, but Sedgwick does argue that everyone has bisexual leanings and tendencies within them.

Fig. 2 - The title of Sedgwick's text refers to the concept of being 'in the closet', this is when an LGBTQ+ person is keeping their sexuality or gender identity a secret.

Sedgwick also makes the point in Epistemology of the Closet that people of different sexualities may identify with each other for various reasons. This further complicates attempts to enforce strict binaries upon sexualities. For example, heterosexual men and homosexual women may find common ground over being attracted to the same sex, while homosexual men and heterosexual women may find the same. However, homosexual men and homosexual women will likely also identify with each other as both being part of the LGBTQ+ community. Sedgwick's primary goal in her text is to break down and challenge easy definitions of sexuality.

Eve Kosofsky Sedgwick: Tendencies (1993)

Tendencies is a collection of works and essays by Sedgwick, published by Duke University Press, where Sedgwick worked as a professor of English Literature for a time. The book is a mixture of more conventional academic essays and more unorthodox writings. For example, 'Memorial for Craig Owens' is a tribute to a friend of Sedgwick who passed away from AIDS. In the context of queer theory, this is an important addition to Tendencies. AIDS devastated the LGBTQ+ community throughout the late twentieth century. Many felt as though governments abandoned the community while the disease raged through it. Shedding light on the suffering of LGBTQ+ people at this time was just as critical to Sedgwick's work as her theoretical writings.

Tendencies is also one of the first instances of Sedgwick using the word 'queer' to refer to her explorations in the world of LGBTQ+ studies. She uses the term to embrace the varied and undefinable nature of human sexuality. Today, queer studies/theory is the universally used term to refer to this particular academic field.

This collection also includes an analysis of the homoerotic elements in multiple classic texts. One such example is Sedgwick's essay 'Jane Austen and the Masturbating Girl'. Through a series of psychoanalytic associations, Sedgwick argues that much of Jane Austen's work has underlying lesbian tendencies that scholars are determined to ignore because they cannot comprehend Jane Austen as an erotic writer.

Eve Kosofsky Sedgwick: Touching Feeling (2003)

Touching Feeling: Affect, Pedagogy, Performativity is a complex but well-received critical text of Sedgwick's. The book explores different ways of approaching critical theories, mixing the studies of both queer theory and literary theory.

A central aim of the text is to discover new and more illuminating pedagogies. Similar to her thoughts on queer theory, Sedgwick advocates for a breaking down of strict boundaries and definitions in the world of literary criticism. She believes critics have become too essentialist, refusing to be open to the concept of fluidity in their ideas.

Sedgwick also explores different affective experiences and their potential impact on individuals. This means that she is looking at different potentially emotive experiences for people. She investigates different mental illnesses and also mentions her own struggles with cancer. Sedgwick engages in an unusual mixing of real-life experiences and critical theory in Touching Feeling. She suggests one can enrich the other by expanding our methods of thinking. She further argues that this already happens in critical theory all the time.

Political and emotional conditions often impact academic development. Sedgwick gives an example of the impact the AIDS crisis has had on her work in the field of queer theory throughout the 1980s and 1990s. Many had strong feelings about the crisis and its consequences, and this impacted the work they produced. Sedgwick uses this example to draw a direct connection between emotions and the pursuit of knowledge.