Marxism Literary Criticism

Marxism literary criticism: summary

Key philosophers behind classical Marxism are the German philosophers Karl Marx (1818–1883) and Friedrich Engels (1820–1895). Their books Das Kapital (1867), The Communist Manifesto (1848) and The Condition of the Working Class in England (1845) laid the foundation for the theory and philosophy of Marxism. The Marxist theory combines philosophy, sociology, and economic theory to assert that society is fundamentally created in relation to its economic structure.

In the Marxist theory of economics, social organisation and development are ultimately determined by what people do with their vocational tools, known as the 'forces of production', or simply 'the means of production'¹.

It also divides society into two parts: base and superstructure. Base refers to the modes of production, and superstructure refers to everything else in society that develops in relation to the economic base. The economic base in society generates and shapes social systems called the superstructure. The superstructure is made of different aspects of life, such as religion, politics, philosophy, art, science, and literature.

Ideology is a Marxist term that refers to dominant ideas that exist in a culture. Our culture is shaped by different kinds of ideologies. For example, religious ideologies, political ideologies, ideologies regarding art, culture, language and so on.

Ideologies influence how people think about these aspects of life and culture and shape popular thinking and cultural norms. The concept of ideology is closely tied to the idea of false consciousness. False consciousness refers to the set of beliefs and convictions that prevent an individual from perceiving the truth about social and economic realities. For Marx, ideology is a feature of the superstructure generated by the economic base and works to justify the base.

Fig. 1 Karl Marx remains an influential figure in many societies across the world.

According to Engels, ideology is like an illusion, prompting or nudging people to believe certain things about themselves and the world around them. Ideologies also provide them with values that signify their class identification.

Marxism literary criticism: class ideology

As we discussed, from the point of view of historical materialism, people tend to form their social connections around their tools or vocation. These are called the relations of production. The relations of production and the means of production together are called the modes of production.

For instance, workers in a factory add more value to the raw materials so that the end product is worth more than the raw material they started with. This excess in value, known as the surplus, is owned by the capitalist (one who owns the means of production). The factory owner gets the profit from selling the product, and the worker is alienated from the results of their labour.

In addition to being alienated from the profits of their labour, in the capitalist economic system, the worker is also alienated from themselves because they sell their time and labour, reducing them to a commodity. The Marxist idea of alienation is widely discussed with regard to literature, especially if you view the book as a commodity.

Marx believed that history is essentially the story of different sections, known as classes, of society and their struggles and conflicts.

Marxism literary criticism: analysis

Marxist literary theory and criticism analyse literature from a Marxist perspective. There are many ways of explaining the role of Marxism in literature and literary theory. In general, Marxist literary theory examines

• how literature is part of the superstructure and can never fully escape the influence of its social and economic contexts.
• how literature may sometimes, consciously or unconsciously, become a channel to articulate certain ideologies.
• how the economic mode of production, say capitalism in most societies today, determine, control, or influence the creation of a text, either in content or form.
• how literary works interact with the ideologies around them.
• the extent to which the social and economic background of the author informs the literary text.
• how literature reflects the world around in its portrayal of characters and their lives, with an emphasis on class.

Marxism literary criticism: examples

As a theory, Marxism emerged in the mid-nineteenth century and soon came to be reflected in contemporary literature.

Marxism and literature are connected in different ways. For example, we can do a Marxist analysis of a text that predates marxism.

There are a number of fictional works that were inspired by Marxist ideology or offer a critique of communism and socialism.

There are several books on the Marxist theory of literature and culture that advanced the Marxist ideas and made more nuanced arguments about class and citizenship in the era of globalisation and technology.

Marxism literary criticism: significance

Marxism is important in literary studies for several reasons:

• A number of classics in literature today were inspired by Marxist ideology. For example, the works of Marx were a huge influence on the German playwright Bertolt Brecht (1898–1956).
• Works of Russian writers such as Leo Tolstoy (1828–1910) and Fyodor Dostoevsky (1821–1881) were written during the Soviet era and reflect life under communism. These are, therefore, inevitably linked to Marxism.
• Marxism flourished as a theory of culture and society. Theorists such as Walter Benjamin (1892–1940), Theodor W. Adorno (1903–1969), Aijaz Ahmed (1941–2022), and more have developed theories of art, culture and literature with Marxism as their foundation.
• The intersection of Marxism and other branches of cultural theory allows for a closer look at the characters and circumstances in a text. For example, Marxist feminism is a merger of Marxist and feminist ideas that helps to examine the experiences of women in capitalist patriarchy.