Dystopian Fiction

Dystopian fiction historical facts

Sir Thomas Moore created the genre of utopian fiction in his 1516 novel, Utopia. In contrast, the origins of dystopian fiction are a little less clear cut. Some novels like Erewhon (1872) by Samuel Butler are considered to be early examples of the genre, as are novels like HG Well’s The Time Machine (1895). Both of these works feature characteristics of dystopian fiction that include negatively portrayed aspects of politics, technology, and social norms.

Classic literary dystopian novels include Aldous Huxley’s Brave New World (1932), George Orwell’s Animal Farm (1945), and Ray Bradbury’s Fahrenheit 451 (1953).

Some more recent and famous examples include Cormac McCarthy’s The Road (2006), Margaret Atwood's Oryx and Crake (2003), and The Hunger Games (2008) by Suzanne Collins.

Characteristics of dystopian fiction

Dystopian fiction is characterised by its pessimistic tone and less than ideal situations. There are also a few central themes that tend to run through most works in the genre.

Control by a ruling power

Depending on the work, the population and economy may be controlled by a government or a corporate ruling power. The levels of control are usually extremely oppressive and enforced in dehumanising ways.

Systematic surveillance, the restriction of information, and extensive use of advanced propaganda techniques are commonplace, resulting in populations that may live in fear or even ignorant bliss of their lack of freedom.

Technological control

In Dystopian futures, technology is seldom depicted as a tool for enhancing human existence or making necessary tasks easier. Usually, technology is represented as having been harnessed by the powers that be to exert greater levels of omnipresent control over the population. Science and technology are often portrayed as being weaponised in their use for genetic manipulation, behavioural modification, mass surveillance, and other types of extreme control of the human population.

Conformity

Any individuality and freedom of expression or thought are generally strictly monitored, censored, or prohibited in many dystopian futures. Themes that address the negative effects of a lack of balance between the rights of the individual, the larger population and the ruling powers are pretty common. Linked to this theme of conformity is the suppression of creativity.

Environmental disaster

Another Dystopian characteristic is propaganda, that creates distrust of the natural world in the population. The destruction of the natural world is another common theme. Post-apocalyptic futures where an extinction event has been created by a natural disaster, war, or the misuse of technology also feature.

Survival

Dystopian futures, where the oppressive ruling power or a disaster has created an environment where just surviving is the main objective, are also common in the genre.

Dystopian fiction examples

The range of works in dystopian fiction is really extensive but linked by some common characteristics, as well as their pessimistic, often allegorical and didactic style. The works tend to warn us about the worst aspects of our potential futures.

The Time Machine (1895) – H.G. Wells

A good place to start with dystopian fiction is a famous work considered to be a pioneer of dystopian science fiction, H.G. Well’s The Time Machine.

Although written in the late Victorian era, the novel is set in various future times from 802,701 AD up to 30 million years in the future. The quote highlights the approach that much of dystopian literature has followed since Well’s novel.

Context

During the period that the novel was written, England faced turmoil due to the effects of the Industrial Revolution, which created greater class divisions, and Darwin’s theory of evolution, which challenged centuries of accepted beliefs about the origins of humanity. Wells sought to address these current situations and others in his novel.

Plot

In The Time Machine, an unnamed protagonist, the Time Traveler, creates a time machine that enables him to travel to the distant future. Relayed by an unnamed narrator, the story follows the scientist as he travels backward and forwards in time.

In his first journey to the future, he discovers that humanity has evolved or perhaps devolved into two separate species, the Eloi and the Morlocks. The Eloi live above ground, are telepathic fruit eaters, and are preyed upon by the Morlocks, who live in a subterranean world. Despite eating the Eloi, the Morlock’s labour also clothe and feed them in a strangely symbiotic relationship.

After returning to the present, the Time Traveler makes other journeys into the very distant future, eventually setting off never to return.

Themes

A few main threads run through the novel, including themes of science, technology, and class. The Time Traveler speculates that the Victorian era class distinction has become even more extreme in the future. In addition, Wells highlights the difference in technology used by the Eloi and the Morlocks of the future. It has also been argued that this future land of Mor is H.G. Well’s socialist critique of Victorian era capitalism.

The Time Traveler's use of technology and science to observe human evolution reflects HG Well’s studies under Thomas Henry Huxley. Many of the scientific discoveries of the time were at odds with long held and established beliefs about the natural world and also humanity’s origins.

The novel has been adapted into plays, a few radio series, comics and various films from the 1940s to the 2000s, so Well’s work remains relevant and widely appreciated today.

The Handmaid’s Tale (1986) – Margaret Atwood

A more recent work of dystopian fiction is The Handmaid’s Tale (1986). Written by Canadian writer Margaret Atwood, it contains the typical characteristics of an oppressive government and technology used for surveillance, propaganda, and population behavioural control. It also features feminist themes, which are considered more recent additions to the Dystopian Fiction genre.

Fig. 1 - Dystopian fiction in The Handmaid's Tale.

Context

At the time the novel was written, the progressive changes to women’s rights brought about during the 1960s and 1970s were being challenged by 1980s era American conservatism. In response, Atwood examined a future where there is a complete reversal of existing rights, linking her then-present with the future and the Puritanical past by setting the novel in New England.

Plot

Taking place in Cambridge, Massachusetts, in the not too distant future, the novel centres on the protagonist Offred, a Handmaid in the theocratic Republic of Gilead. The Republic rigidly controls the population, especially the minds and bodies of women. Offred, as a member of the Handmaid caste, has no personal freedoms. She is kept captive as a child bearing surrogate for a powerful but as yet childless couple. The story follows her quest for freedom. The novel is open ended about whether she ever achieves freedom or is recaptured.

Themes

Other than existing dystopian themes such as an oppressive government, issues of free will, personal liberty and conformity, Atwood also introduced newer dystopian themes such as gender roles and equality.

Considered a modern classic of the genre, the novel has already been adapted into a Hulu series, a film, a ballet, and an opera.

¹ John R Hammond, HG Wells The Time Machine, Greenwood Publishing Group, (2004)

² How Margaret Atwood's Puritan ancestors inspired The Handmaid's Tale, Cbc.ca, (2017)