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Pastoral literature
Pastoral fiction consists of works of literature that explore the relationship between human life and nature in rural environments. The life of shepherds in the countryside is often romanticised and idealised by the genre as being free from the corrupt and complex city life.
Romanticise: to describe something in an unrealistic and idealised way so that it seems far better and greater than what it actually is.
Most works of pastoral fiction are poems, although there are also books written in this genre.
Fig. 1 - An 1854 painting depicting pastoral life as described in pastoral fiction.
Theocritus' (c.300 BC - 260 BC) bucolics (Greek word for the pastoral poem) is generally credited for being the root of the pastoral genre. Theocritus' Idylls (circa 3rd Century BC) is his most famous work, which talks about the simple rustic life of shepherds trying to woo nymphs and shepherdesses by holding singing matches with their rivals.
The pastoral genre gained popularity, however, only after the Roman poet Virgil (70 BC- 19 BC) came along in later years to write more pastoral works, like the Eclogues (39–38 BC), which described the agrarian, political, and personal problems of herdsmen. The following extract is a translation of one of Virgil's Eclogues, in which he is lamenting the death of Daphnis through the degeneration of nature.
The Nymphs wept for Daphnis, taken by cruel death (hazels and streams bear witness to the Nymphs), when sadly clasping the body of her son his mother cried out the cruelty of stars and gods. Daphnis, on those days, no one drove the grazing cattle to the cool river: no four-footed creature drank from the streams, or touched a blade of grass. Daphnis, the wild woods and the mountains say, that even African lions roared for your death. (Eclogue 5)
Pastoral definition
To better understand the meaning of pastoral fiction, it is important to look at the thematic and stylistic conventions of the genre.
Natural settings
All of the pastoral fiction is set in nature, such as forests and the countryside. Vivid imagery is used to describe these landscapes of trees, mountains, farms, rivers and waterfalls. The seasons they are set in are usually summer and spring, when nature is in its best form.
The imagery used to describe these landscapes depicts nature as beautiful, idyllic, pure and far greater and mightier than humans. In most works, nature is depicted as being kind and giving to humans. However, there are works that depict natural forces as violent and angry, punishing humans for destroying the peace and purity of natural life.
'The Tuft of Flowers' (1913) by Robert Frost (1874 - 1963) is a pastoral song where the speaker stumbles upon a tuft of flowers that had been left standing by a mower. The speaker feels a sense of camaraderie between himself and the mower who spared the flowers, and this eliminates his loneliness. This poem seeks to highlight the loneliness of the human condition, where humans can only be brought together by their shared appreciation for nature.
I went to turn the grass once after one
Who mowed it in the dew before the sun.
The dew was gone that made his blade so keen
Before I came to view the leveled scene.
I looked for him behind an isle of trees;5
I listened for his whetstone on the breeze.
But he had gone his way, the grass all mown,
And I must be, as he had been—alone,
Shepherds
The word 'pastoral' originally comes from the Latin word pastor, which means 'shepherd'. Therefore, it is no surprise that the central characters in pastoral fiction are shepherds and herdsmen. This is because shepherds are the closest link between humans and nature, as they live a simple life in harmony with the land.
Much pastoral fiction works focus on the sweet and innocent romance between shepherds and shepherdesses in the rural countryside. Shepherds are seen engaging in dialogue, song matches or even dancing.
The Shepheardes Calender (1579) by Edmund Spenser (1552- 1599) depicts the life of a shepherd through the 12 months of a year. Alongside descriptions of birds, flowers and harvests, each month also discusses aspects of the shepherd's personal life, his hardships and rituals that are compared to the seasons.
This is the epilogue to 'January', where the shepherd mourns his lost love for Rosalind.
IN this fyrst Æglogue Colin clout a shepheardes boy complaineth him of his vnfortunate loue, being but newly (as semeth) enamoured of a countrie lasse called Rosalinde: with which strong affection being very sore traueled, he compareth his carefull case to the sadde season of the yeare, to the frostie ground, to the frosen trees, and to his owne winterbeaten flocke.
Other mythical creatures associated with nature, such as nymphs, fairies, dryads etc., are also featured in pastoral fiction.
Fig. 2 - A painting of shepherds with their flocks.
Rural life versus urban life
Pastoral fiction was primarily written by and for urbanites who were exhausted from the dirt, hustle and bustle of big cities, where people were exposed to many crimes and immoralities. Hence, pastoral fiction was created as a form of escapism, where both the writers and readers of pastoral fiction could escape city life to reconnect with the natural world.
Pastoral fiction generally describes urban life and urbanites as corrupt, immoral and chaotic. In comparison, the peace and quiet of the countryside are depicted as being simple, moral and orderly. Pastoral literature relies on the idiom' ignorance is bliss' in the sense that they believe that because shepherds are less educated than city dwellers, they are generally happier.
As a result, many pastoral fiction works are meant to critique urban society and its politics and immorality.
Universal themes
Most pastoral fiction works are based on life, love and death - simple themes that are part of human nature.
A subtype of pastoral poems is the pastoral elegy, in which the poet uses pastoral imagery and settings to mourn someone's death.
Elegy: A serious, melancholic poem, often written to reflect on the sorrow of losing someone who has died.
'Elegy Written in a Country Churchyard' (1750) is a poem where Thomas Grey (1716-1771) uses pastoral imagery to mourn the death of the poet Richard West.
The curfew tolls the knell of parting day,
Now fades the glimm'ring landscape on the sight,
Pastoral romance is also a subgenre of romance novels, where a romantic story is set in the countryside.
The Countess of Pembroke's Arcadia (1593) by Philip Sidney is a prose pastoral romance that takes place in Arcadia, a province in Ancient Greece. It combines elements of romance, comedy and tragedy in a single plot.
Religion
Writers of pastoral fiction invoke many religious allegories while describing nature and shepherds. This is because nature is regarded as being God's purest creation, where humans can go to reconnect with spirituality and faith. Even shepherds are considered to be virtuous and, therefore, closer to God.
Allegory: any literary work in which the characters and events are symbolic in representing particular ideals, morals or qualities.
Paradise Lost (1667) is a pastoral epic by John Milton (1601- 1674) where Milton describes the Biblical Garden of Eden, where Adam and Eve lived an idyllic, harmonious and sin-free life. Much imagery is focused on Adam and Eve's care of the fruit-bearing trees, where their harmony with nature serves as an allegory for their virtue and innocence.
"With thee conversing I forget all time;
All seasons, and their change, all please alike.
Sweet is the breath of Morn, her rising sweet,
With charm of earliest birds: pleasant the sun,
When first on this delightful land he spreads
His orient beams, on herb, tree, fruit, and flower,
Glistering with dew; fragrant the fertile earth
After soft showers; and sweet the coming on
Of grateful Evening mild; then silent Night
(Paradise Lost, IV:639-647)
Pastoral poetry examples
Pastoral fiction is primarily known for the vast amount of poetry written in the genre. Here are a few notable examples of pastoral poetry.
'The Passionate Shepherd to His Love' (1599) by Christopher Marlowe
In the poem, the speaker is a shepherd trying to woo someone he refers to as his 'love'. In doing so, the shepherd describes rural life as beautiful, idyllic, abundant and free of corruption and sin to try and convince his love to join him in the countryside.
And we will sit upon the Rocks,Seeing the Shepherds feed their flocks,By shallow Rivers to whose fallsMelodious birds sing Madrigals.
(lines 1-8)
Sir Walter Raleigh (1552-1618) wrote the poem 'The Nymph's Reply to the Shepherd' (1600) as a response to Marlowe's poem, which he criticised for being too artificial, unrealistic and naive. Walter Raleigh's poem was written from the perspective of the nymph who rejects the shepherd's advances and his proposal to come live in the countryside.
If all the world and love were young,
And truth in every shepherd's tongue,
These pretty pleasures might me move
To live with thee and be thy love.
Time drives the flocks from field to fold
When Rivers rage and Rocks grow cold,
And Philomel becometh dumb;
The rest complains of cares to come.
(lines 1-8)
'Lycidas' (1637) by John Milton
'Lycidas' is a pastoral elegy where Milton commemorates the loss of his friend Edward King, who drowned during a shipwreck in the Irish Sea. Milton uses vivid pastoral imagery and mythical creatures from the countryside to mythologise King and Milton's relationship.
(lines 23-36)
Pastoral novel examples
While pastoral fiction is a rarer genre in prose as compared to poetry, here are two notable examples of works that make use of pastoral settings and themes.
The Countess of Pembroke's Arcadia (1593) by Philip Sidney
The Countess of Pembroke's Arcadia is a prose pastoral romance that takes place in Arcadia, a province in Ancient Greece. One day, an oracle tells Duke Basilius of Arcadia that his daughter Pamela will be taken from him, his other daughter Philoclea will enter into an unsuitable affair, and his wife Gynecia will cheat on him. Upon hearing this, the Duke, along with his family, retreats to the countryside. In the countryside, the family finds itself in many humorous and often tragic circumstances, combining elements of romance, comedy and tragedy in a single plot.
As You Like It (1599) by William Shakespeare
As You Like It is a pastoral comedy where the protagonist Rosalind flees to the Forest of Arden to escape her uncle's court. Over there, she eventually finds love and happiness. Although it is not a novel, this play makes use of a combination of poetry and prose to convey pastoral themes and images.
As You Like It features many rustic characters who are all kind, simple and honest. Most of the action of the play is in the fictional world of the Forest of Arden, which is described as a place full of love, freedom and harmony, where harassed aristocrats come to escape the troubles and complications of their court life. In Arden, they begin to lead the simplistic life of shepherds without any duties and violence, which allows them to live freely and fully.
Fig. 3 - A scene from Shakespeare's As You Like It.
The pastoral world of the play possesses an almost magical quality, transforming immoral and disordered lives into peaceful, happy and harmonious ones. Throughout As You Like It, Shakespeare provides a commentary on the division between country life and the city, exposing the virtues and vices of each world.
DUKE SENIOR:
Now, my co-mates and brothers in exile, Hath not old custom made this life more sweet Than that of painted pomp? Are not these woods More free from peril than the envious court?
(Act II, Scene i)
Pastoral fiction - Key takeaways
- Pastoral literature is works of fiction that explore the relationship between human life and nature in rural environments.
- The life of shepherds in the countryside is often romanticised and idealised by the genre as being free from the corrupt and complex city life.
- Common features in pastoral literature include
- Natural settings
- Shepherds
- Rural life versus urban life
- Universal Themes of love and death
- Religion
- Notable examples of pastoral poetry include:
'The Passionate Shepherd to His Love' (1599) by Christopher Marlowe
'Lycidas' (1637) by John Milton
Notable examples of pastoral prose include:
As You Like It (1599) by William Shakespeare
The Countess of Pembroke's Arcadia (1593) by Philip Sidney
References
- Fig. 1 - Public domain: https://commons.wikimedia.org/w/index.php?search=pastoral+&title=Special:MediaSearch&go=Go&type=image
- Fig. 2 - Public domain: https://commons.wikimedia.org/w/index.php?search=pastoral+shepherds&title=Special:MediaSearch&go=Go&type=image
- Fig. 3 - Public Domain: https://commons.wikimedia.org/w/index.php?search=As+You+Like+It&title=Special:MediaSearch&go=Go&type=image
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Frequently Asked Questions about Pastoral Fiction
What is pastoral fiction?
Pastoral fiction consists of works of literature that explore the relationship between human life and nature in rural environments.
What is an example of pastoral poetry?
Notable examples of pastoral poetry include:
'The Passionate Shepherd to His Love' (1599) by Christopher Marlowe
'Lycidas' (1637) by John Milton
What makes a poem pastoral?
A poem is considered to be pastoral if it includes the following elements:
- Natural settings
- Shepherds
- Rural life versus urban life
- Universal Themes of love and death
- Religion
What are examples of pastoral novels?
A notable example of a pastoral novel is The Countess of Pembroke's Arcadia (1593) by Philip Sidney.
What does the word 'pastoral' mean?
The word 'pastoral' originally comes from the Latin word pastor, which means 'shepherd'.
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