Picaresque Novel

Picaresque novel: history

Although the picaresque novel as we know it originates in 16th century Spain, its roots and influences trace back to the classical period. The character traits of the picaro are similar to those found in Roman literature, particularly in Petronius' The Satyricon (1st Century AD). The Roman satire tells the story of Encolpius, a former gladiator who narrates his often bawdy adventure.

Fig. 1 - The picaresque novel has its roots in ancient Rome.

Another Roman novel that shares characteristics of the picaresque is The Golden Ass by Apuleius. The story follows Lucius in episodic tales as he attempts to become a master of magic. In one of the episodes, Lucius manages to accidentally turn himself into a golden donkey. It is a comic story which like other picaresque novels contains shorter, 'insert stories' which can be independent of the larger story or be included in the plot.

One more influence on the early picaresque novels was Arabic folktales and literature. The Moorish population in Spain led to Arabic folktales being well known and its literature widely read. A literary genre which has origins in Iran called Maqamat has many similarities to the picaresque novel. These stories would often have a vagabond who would travel around getting by on gifts from people they have impressed with their words and trickery.

Characteristics of picaresque novels

In literature, the common characteristics found in the picaresque novel are:

• The narrative that follows the life and adventures of a low-class, but cunning picaro,
• The prose has a realistic, often satirical manner.
• The narrative usually has an episodic plot, with each episode presenting a different encounter or situation.
• There is no specific characterisation or character arc for the picaro to fulfil.
• The picaro survives through wit and cunning in a corrupt society.

First-person

Most picaresque novels are told in the first-person narrative, using the pronouns such as I, my and we. The picaresque novel is normally told as if it is an autobiography, albeit fictional.

A 'lowly' main character

The main character in a picaresque novel is often low in either class or society. The term picaro translates to rogue, which can be interpreted as dishonest. But the rogues in the picaresque often have a charming or loveable quality to them.

No distinct plot

Picaresque novels have little or no distinct plot but are instead episodic. The central part of the novel is the picaro so the reader follows them from one misadventure to another.

No 'character arc'

The picaro in picaresque novels rarely changes throughout the story. It is their firm belief in their character that adds to their charm. That means there is little in the way of character development in the novels.

Realist language

Picaresque novels are told using simple realistic language. This is partly because they are told in the first person and the characters are portrayed as lowly. The stories are told plainly and reflect the narrator.

Satire

Satire often features in picaresque novels. The apparent 'lowly' protagonist is normally used to expose the hypocrisy of the corrupt world around them. Because they are somewhat unusual in their behaviour the satire is presented in a comic form.

Picaresque novel: examples

Some of the earliest examples of picaresque novels are Lazarillo de Tornes, Mateo Aleman's Guzman de Alfarche, and Miguel de Cervantes's Don Quixote. Notice that some of the earlier picaresque are Spanish novels.

Lazarillo de Tornes (1554)

Largely considered the first picaresque novel, Lazarillo de Tornes was published anonymously in 1554. It tells the story of Lazaro, a young man who gets by day to day in poverty. He lives outside of societal norms and claims that his mission is to reveal the hypocrisy of those in the upper echelons of society. The story is told in a series of episodes that are sometimes based on Arabic folk tales.

Guzman de Alfarache (1599)

This picaresque novel was published in two parts and written by Mateo Aleman from 1599 to 1604. Guzman de Alfarache recounts the growing up of a young outcast who recalls his childhood misadventures. As he becomes older he reflects on the questionable morality of his early life. The result is a work that is half novel and half sermon on societal ills.

Don Quixote (1605)

Although possibly a controversial choice, critics argue whether Miguel de Cervantes' novel is technically picaresque as it doesn't follow all their characteristics. Despite these protestations, Don Quixote has long been associated with the picaresque genre.

Considered the 'first modern novel', Don Quixote tells the story of a hidalgo and his quest to bring back chivalry. Alonso enlists the help of Sancho Panza as a squire in his quest. Sancho Panza acts as the more traditional picaro often giving witty depictions of his master's folly. Chivalry is dying out and Don Quixote is thought of as crazy and his quest pointless.

Fig. 2 - Don Quixote of La Mancha is a novel synonymous with the picaresque novel.

Picaresque novel in English literature

Here we will look at some of the famous examples of picaresque novels written in the English language, looking at early examples and some of the more contemporary works. Examples of English picaresque novels are The Pickwick Papers, The Adventures of Huckleberry Finn, and The Adventures of Augie March.

The Pickwick Papers (1837)

Written by Charles Dickens The Pickwick Papers is a series of misadventures serialised for a magazine. It was also Charles Dickens' first novel. Samuel Pickwick is an old man and founder of the Pickwick Club. We follow his journey with fellow 'Pickwickians' as they travel through rural England. These journeys normally end in mishaps and at one point the hapless Pickwick finds himself in Fleet prison.

The Adventures of Huckleberry Finn (1884)

Mark Twain's work is often regarded as one of the 'Great American Novels'. Huckleberry Finn is a young boy who escapes his home in Missouri by travelling downriver with escaped slave Jim. We witness their various escapades as they travel down the great Mississippi River. The book is renowned for its use of vernacular language and its anti-racist message. Some critics argue that the book is controversial due to its coarse language associated with racism and stereotyping.

The Adventures of Augie March (1953)

Saul Bellow's picaresque novel follows the titular hero Augie March who grew up during the Great Depression in Chicago. The reader follows Augie as he endeavours in a series of strange jobs in an effort to become a 'self-made man'. He is intelligent but uneducated and his wits take him from Chicago to Mexico and eventually to France. The novel won the National Book Award in the United States on its publication.