Sonnet

Sonnet Form

While there are different types of sonnets, they all follow the same 3 basic characteristics. This is a strict structure that all sonnets must follow.

14 Lines

All sonnets must consist of 14 lines. However, these lines can be presented differently according to the type of sonnet by dividing them up into octaves (8 line stanza) sestets (6 line stanza), quatrains (4 line stanza), or couplets (2 line stanza).

How these lines are structured is a key way to spot what type of sonnet you are reading!

Iambic Pentameter

Sonnets must be written in a type of metric line called Iambic Pentameter. When a line is written in iambic pentameter, it will consist of five metrical feet (or iambs) that begin with an unstressed syllable followed by a stressed syllable.

The words in bold show the stressed syllables in each metrical foot and each foot is often marked by a dash (-) or a line (|).

Regular Rhyme Scheme

Many sonnets have a regular rhyme scheme. The type of rhyme scheme used depends on what form of sonnet the poem is written in. The distinction between rhyme schemes is a key way to tell the difference between the types of sonnet.

Types of Sonnet

There are three, main types of sonnet that we will explore here: the Petrarchan sonnet, the Shakespearean sonnet, and the Spenserian sonnet.

Petrarchan Sonnet

The Petrarchan sonnet (or Italian sonnet) is the oldest form of a sonnet and is thought to have been brought to England by Sir Thomas Wyatt in the 16th century. The sonnet was named after the Italian Renaissance poet, Francesco Petrarca.

The Characteristics of the Petrarchan Sonnet

The Petrarchan Sonnet has the same three characteristics as all sonnets, however, there are certain differences that set them apart.

• Structure:The Petrarchan sonnet has 14 lines which are divided into an octave (eight lines) and a sestet (six lines). The octave will also be split into two quatrains (four lines). This division is only found in Petrarchan sonnets so it can be a key way to spot one while you are reading. The Petrarchan sonnet also follows an iambic pentameter rhythm throughout these stanzas.

• Rhyme Scheme: The Petrarchan sonnet also follows its own rhyme scheme. The rhyme scheme will follow an ABBA-ABBA-CDE-CDE structure, where the octave has one rhyme scheme (ABBA-ABBA) and the sestet follows a different one (CDE-CDE).

• Tone: Petrarchan sonnets are typically used to discuss themes of romance and love, which is where the idea that sonnets are love poems comes from. Petrarchan sonnets also have a tonal shift during the poem, known as a volta. The volta is introduced at the end of the octave and acts as the climax of the poem. The purpose of the sestet is to resolve the volta.

Example of a Petrarchan Sonnet

This is a Petrarchan sonnet as it is composed of fourteen lines divided into an octave and a sestet. These lines follow an ABBA-ABBA-CDE-CDE rhyme scheme and are written in iambic pentameter:

There is also a volta in the ninth line (at the start of the sestet), starting with the word 'never'. When this happens, there is a shift in the tone of the poem — a key characteristic of the Petrarchan sonnet.

Shakespearean Sonnets

The Shakespearean sonnet, otherwise known as the English sonnet, was adapted from the Petrarchan sonnet during the Elizabethan period (around the late 16th century and early 17th century). It was first developed in William Shakespeare's Sonnets, however, it has also been used by poets such as John Donne and John Milton. During his lifetime, Shakespeare wrote 154 of these sonnets.

The Characteristics of the Shakespearean Sonnet

• Structure:Shakespearean sonnets are structured differently as their lines are divided into three quatrains (four lines) and one rhyming couplet at the end of the poem. This is a key way to recognise Shakespearean sonnets, for the voltas typically occur in this final couplet (the end of the 12th line of the poem). They are also written in iambic pentameter.

• Rhyme Scheme:These sonnets have their own rhyme scheme, ABAB-CDCD-EFEF-GG. Typically, each stanza will be used for a separate idea, and so the rhyme scheme varies in order to represent this.

• Tone:Unlike Petrarchan sonnets, Shakespearean sonnets can be centred around various themes, such as love, politics, or humour. This means that the themes and tones of each poem can be different from one another.

Example of a Shakespearean Sonnet

This is a Shakespearean sonnet, as it is composed of fourteen lines divided into three quatrains and a rhyming couplet. These lines follow an ABAB-CDCD-EFEF-GG rhyme scheme and are written in iambic pentameter. Sometimes, a Shakespearean sonnet will deviate from this pattern and lines will be written in iambic tetrameters, such as in lines 5, 7, and 12 in the above example.

Spenserian Sonnets

The Spenserian sonnet is a type of sonnet that was developed by Edmund Spenser in the 16th century. It was inspired by the Petrarchan sonnet and builds upon the developments made by Sir Thomas Wyatt.

The Characteristics of the Spenserian Sonnet

• Structure: Spenserian sonnets follow a similar stanza structure to Shakespearean sonnets as they are both divided into three quatrains followed by a rhyming couplet. They are also written in iambic pentameter.

• Rhyme Scheme: The rhyme scheme for a Spenserian sonnet is ABAB-BCBC-CDCD-EE. This rhyme scheme is a key way to spot the Spenserian sonnet as it features a rhyme that is present in one stanza, following through to the next.

• Tone: Like the Petrarchan sonnet, the Spenserian sonnet also uses a volta. The volta is typically presented at the end of the second stanza and works as an epiphany or climax. The end of the poem will focus on resolving or developing this epiphany, with the rhyming couplet providing a conclusion to this idea.

Example of a Spenserian Sonnet

This is a Spenserian sonnet as it is composed of fourteen lines divided into three quatrains and one rhyming couplet. These lines follow an ABAB-BCBC-CDCD-EE rhyme scheme and are written in iambic pentameter also, for example:

There is also a volta in the eighth line (at the end of the second quatrain), starting with the word 'but'. This is a key characteristic of the Spenserian sonnet, as it provides an epiphany in the poem that is resolved in the final couplet.

Sonnets: Key Differences