Pre-Raphaelite

The Pre-Raphaelite movement

The Pre-Raphaelite movement was inspired by the early Renaissance style of painting and artistic sensibility.

The Pre-Raphaelite Brotherhood was a cultural movement that sought to reform the aesthetic values and principles of the Victorian era. The group rebelled against the popularity of Raphael and aspired to turn back the clock on art history. For them, the objective of art was realism and authenticity. The Pre-Raphaelites are artists or writers who were either part of the Pre-Raphaelite Brotherhood or were loosely associated with the movement.

They were controversial due to their values and admiration of the aesthetic and artistic conventions of the time before the Italian painter Raphael. This inspired the name Pre-Raphaelite Brotherhood. The Pre-Raphaelite movement was partly inspired by their contemporary, John Ruskin. Ruskin was a writer, traveller, and philosopher who opposed the loyalty of the British Royal Academy of Arts to Raphael.

The members of the Pre-Raphaelite Brotherhood were:

• Dante Gabriel Rossetti
• William Michael Rossetti
• William Holman Hunt
• John Everett Millais
• James Collinson
• Frederic George Stephens
• Thomas Woolner.

Dante Gabriel Rosetti remains the most famous member of the group and was a poet and painter. His sister Christina Rosetti is also a famous poet from the Pre-Raphaelite era. The brotherhood dissolved in the 1850s.

The Pre-Raphaelite era

The Pre-Raphaelites were active during the Victorian era and infamously rejected the Victorian ethos and popular notions of art and literature. Their countercultural beliefs drew widespread criticism, even from popular personalities like Charles Dickens. The public criticism eventually led to their dissolution.

An interesting aspect of the Pre-Raphaelite Brotherhood was their devotion to religion, mainly Christianity. Their works often contained Christian motifs and imagery, albeit in unconventional ways. Pre-Raphaelites are known for their symbolism and unflattering portraits, which was a facet of their rejection of idealistic portrayals that succeeded Raphael. Some of the most famous works by the Pre-Raphaelites include:

• Ophelia (1851–1852) and Christ in the House of His Parents (1849–50) by Sir John Everett Millais
• Proserpine (1874) and Lady Lilith (1866–1868) by Dante Gabriel Rosetti
• Circe Offering the Cup to Ulysses (1891) by John William Waterhouse
• Our English Coasts (1852) by William Holman Hunt.

The famous "List of Immortals" created by the Pre-Raphaelites judged and rated renowned artists and writers throughout history based on artistic quality and merit. Although the Pre-Raphaelite Brotherhood was controversial at the time and its fame slowly faded, it influenced several generations of writers and artists.

Pre-Raphaelite literature, however, does not enjoy the fame and attention today as other genres and movements receive from literary scholars.

Pre-Raphaelite: Characteristics

The influences of naturalism and Romanticism are visible and distinct in the Pre-Raphaelite style. Pre-Raphaelite art and literature emphasised fidelity and realism, even at the risk of unpleasantness. The Pre-Raphaelites were inspired by Ruskin, who nudged artists to turn to nature. A return to the Natural was considered an escape from the artificiality of forms amid rapid industrialisation. Like Pre-Raphaelite paintings, Pre-Raphaelite literature also paid attention to details, achieving a unique realism. Symbolism is another aspect of Pre-Raphaelite art and literature.

The values of the Brotherhood are expressed well in the principles set forth by its founding members. The tenets put forward by William Michael Rossetti as the principles of the Brotherhood were:

• have genuine ideas
• pay attention to nature attentively
• focus on what is direct and serious in art from the past
• avoid what is conventional, inauthentic, and repetitive
• create good art

The Brotherhood believed that the artist should be free to form their own conventions and ways of representation. A remarkable feature of Pre-Raphaelite paintings and literature was their ability to combine mysticism, elements from nature, and intertextual symbols inspired by art and literature from the past. Like Pre-Raphaelite art, Pre-Raphaelite poetry is known for its symbolism, rhymes, and themes that bordered on the grotesque.

Pre-Raphaelite literature

Literature and art were interwoven in the Pre-Raphaelite tradition. Many Pre-Raphaelite paintings are full of literary allusions and references. As an illustrator, Dante Gabriel Rossetti did collaborative projects with poets like Lord Alfred Tennyson, and his sister Christina Rosetti on their poetry collections. His illustrations display Dante’s creative interpretation of a work, rather than merely visualising the text.

The Pre-Raphaelite poets include Dante Gabriel Rossetti, Christina Rosetti, and William Morris. The poetry of Dante Gabriel Rosetti continues to be the subject of scholarly investigation. Like their art, Pre-Raphaelite poetry was also criticised for its unconventionality, spirit of decadence, and evocative language. True to its name, Pre-Raphaelite poetry bore similarities to medieval sonnets and ballads, combined with sensuousness and decadence espoused by the movement.

Goblin Market (1862) by Christina Rosetti is a remarkable narrative poem of the Pre-Raphaelite era. It has garnered renewed scholarly interest due to its bold themes and allusions. Modern analysis of this poem focuses on its protofeminist elements and references to repressed feminine sexuality during the Victorian era.