Andrea Levy

Childhood

Andrea Levy was born in Archway, London, on 7 March 1956 and was raised in a council estate in Highbury, London. Levy’s father, Winston Levy, travelled from Jamaica to London on the Empire Windrush ship in 1948. Her mother, Amy Levy, followed soon after. Her parents were part of the Windrush Generation, the name given to Caribbean immigrants who settled in Britain in the post-war period (1948-1970).

Levy confessed that she grew up believing she was white. In fact, it wouldn’t be until she was in her late twenties that she would come to terms with her blackness and Jamaican heritage.

Education and career

Levy was creative at heart. In the mid-1970s, she studied textile design at Middlesex Polytechnic. Afterwards, she returned to London, her lifelong home, and worked in the costume departments of the Royal Opera House and the BBC. It was around this time that she met her, husband Bill Mayblin, with whom she started a graphic design company.

A series of riots occurred in areas with a high Caribbean population in the 1980s, and as a result, black men were more likely to be stopped and searched by the police. It was amidst this tense climate that Levy was forced to confront her identity as a black British woman. At a racism awareness workshop at her workplace, employees were asked to go to one side of the room if they were white and to the other if they were black. Levy went to the white side. This incident made her confront the fact of her race.

Writing

Levy’s body of work consists of 5 novels:

• Every Light in the House Burnin’ (1994).
• Never Far from Nowhere (1996).
• Fruit of the Lemon (1999).
• Small Island (2004).
• The Long Song (2010).

She also published a collection of short stories entitled Six Stories and an Essay (2014).

Andrea Levy: Facts

A learning enthusiast, Levy decided to pick up a creative writing evening class at City Lit College. In her writing, Levy found a clever, funny voice and a means of exploring her family history and her identity and experiences as a black British woman.

Levy published her first novel, Every Light in the House Burnin’, in 1994. It was a semi-autobiographical novel about a family of Windrush immigrants and their children living in 1960s North London. It was difficult to find a publisher who was interested in the story.

Her second novel, Never Far from Nowhere, was published shortly thereafter in 1996. The novel is once again set in a council estate, this time in the 1970s, and it follows the lives of two English sisters of Jamaican descent. Vivien has a white complexion and passes for white; Olive’s skin is darker, and she has a harder time fitting in. It was longlisted for the Orange Prize, a prestigious award for women authors of English novels.

Levy grew up feeling a disconnect from her Jamaican ancestry. In 1998, fifty years after her father had arrived in England on the Windrush, Levy visited Jamaica for the first time. She was greeted with affection and an eagerness to share the family history. This journey inspired her third novel, Fruit of the Lemon (1999), in which the protagonist, Faith Jackson, journeys to Jamaica and uncovers a rich family history. The book won the Best of the Best Orange Prize.

Levy travels back in time in Small Island (2004) to tell the story of the Windrush generation. It was an international success. It won several awards, notably another Orange Prize, Best of the Best, and the Whitbread Book of the Year. In Levy’s final novel, The Long Song (2010), she faced, with trepidation, the history of slavery in the Caribbean. The novel was yet another success, earning the Walter Scott Prize.

In 2014, Levy published a collection of short stories entitled Six Stories and an Essay (2014).

Andrea Levy: Cause of Death

Andrea Levy died, aged 62, on 14 February 2019 from breast cancer. Even in the face of death, Levy found joy and humour, light-heartedly adopting the motto that ‘everybody dies’.

Andrea Levy: Books and short stories

Small Island and The Long Song were both adapted by the BBC as short television series. In 2019, Small Island was adapted for the stage at the National Theatre.

Small Island (2004)

Small Island is told from the perspectives of black Windrush immigrants Gilbert, Hortense, and white, English-born Queenie and Bernard. The novel is split into chapters that take place in 1948 and chapters that take place ‘Before’ 1948. Queenie is the sheltered, well-meaning but flawed white landlady to Gilbert and Hortense. Gilbert served in the RAF during World War II and returned to England to live on the Windrush in 1948. He and Hortense get married so that Hortense can come with Gilbert to England. Hortense is proud and ‘high-class’ and is disappointed in derelict England. Bernard, Queenie’s husband, is a racist who also served in the British Army in WWII.

The Long Song (2010)

The Long Song is written as the memoir of a former Jamaican slave, July, now an elderly woman. It takes place during the end of slavery and the early years of emancipation. Jamaica had no surviving slave narratives; there were no first-hand accounts of what it was like to be a slave in the Caribbean. That’s when Levy realised the power of fiction, using fiction to imagine what it was like to live in the turbulent period leading up to, and just after, emancipation.

As with her other novels, even when facing the most horrible facts of Jamaican history, Levy infuses the work with moments of strength, joy, and hope.

Six Stories and an Essay (2014)

Levy’s collection of short stories approaches familiar topics from new angles: issues of immigration, identity, race, and prejudice are centre stage, and, as with her other fiction, Levy’s short stories strive to uncover the forgotten and untold stories of Jamaicans and their place in Britain’s empire.

The collection opens with an autobiographical essay, ‘Back to My Own Country’, about empire, racism, colourism, and how writing helped Levy come to terms with her own identity.

The stories were written at different points in Levy’s career and are collected here in one volume:

• ‘The Diary’ is one of Levy’s early stories. It is about an over-qualified woman working an underpaid and underappreciated job in costume departments.
• ‘Deborah’ is an unsettling short story told from the perspective of a little girl called Fern living in a London council estate in the 1960s.
• In ‘That Polite Way that English People Have’, the ‘high-class’ Hortense ‘Blossom’ Hunter, the prototype for Hortense in Small Island, navigates a disappointing and drab England.
• ‘Loose Change’ explores current attitudes and prejudices toward migrants and refugees in the UK.
• ‘The Empty Pram’ is a story set in 1948, in which a black woman is falsely accused of kidnapping a baby. The story is about racism and racial profiling.
• ‘Uriah’s War’ is Levy’s most celebrated short story. It is personal to Levy, whose grandfather, she discovered, had fought in the First World War. The story pays tribute to the contributions of Caribbean soldiers during the First World War and highlights the injustices of colonialism and racism:

Andrea Levy: Themes

Levy’s work stays with the topic of exploring and giving a voice to black Jamaican experience and history. With this focus, Levy explores themes of race, gender, class, human strength, human relationships, and human folly.

Shared histories

In her novels, Levy explores her own family history and, more broadly, the histories of Jamaica and Britain. They affirm the interconnected history of Britain and the Caribbean, tracing a history of gross mistreatment of the Caribbean people, diving deeper into the past with each novel. The British brought Africans to work on plantations in the Caribbean. After emancipation, Jamaica struggled to build a diverse economy that could compete with other countries. During WWII, soldiers from the colonies, including Jamaica, served alongside white soldiers on the British front, yet, as Gilbert Joseph’s story in Small Island shows, they were only repaid with discrimination. When Britain asked for members of its colonies to help rebuild it after the war, the Windrush immigrants were treated as outsiders in Britain.

This interconnected history is one of imbalance. Through her novels, Levy hoped to snap the British public out of their ‘amnesia’ towards the shared histories.

Race, identity, and discrimination

Levy’s novels are intimate explorations of racial and national identity. The earlier one deal with the black British experience in England. They evaluate questions of belonging and home, of the difficulty in considering England ‘home’ when people of colour are discriminated against at a personal and institutional level. Her novels deal with what it means to be black, white, British, and Jamaican.

Levity, hope, and humour

Andrea Levy’s novels are often described as funny and moving. The humour of her novels often surprises those not familiar with her work, given the nature of her subject matter. Yet, by balancing moments of levity with tragic, emotional moments, Levy creates a rich account of her characters that puts a degree of power back into the lives of the downtrodden. Levy also likes to poke fun at her characters’ follies and shortcomings. No one is perfect in her novels, Hortense is proud and naïve, and the reader is able to laugh at her shortcomings without taking away from her struggle as a black immigrant in England. Levy’s novels are hopeful that progress can be achieved, that divides can be overcome.

The importance of Andrea Levy

Levy was one of the first black British authors of Jamaican descent to create compelling fiction about the experience of black Caribbean and Caribbean-descendent people living in Britain. Her fiction has helped to educate Britain and the world (her books have sold millions of copies internationally) about the struggles that immigrants and people of colour have faced at the hands of the British throughout history and in the contemporary moment.

Levy’s great achievement is covering such a broad history in her books in such an intimate way. Her readers are intimately acquainted with the characters’ inner lives, their flaws, and, ultimately, their ability to carve out joy in the midst of justice and despair.

¹ Andrea Levy and Charles Henry Rowell, ‘An Interview with Andrea Levy’, Callaloo, Vol. 38, No. 2 (Spring 2015).

² Andrea Levy, Six Stories and an Essay (Tinder Press, 2015).