James Joyce

James Joyce’s Biography

Joyce was born on 2 February 1882 in Dublin. He had an unpredictable childhood due to his fathers’ changing financial situation: initially, Joyce attended Clongowes Wood College, but his family withdrew him from this school as they could no longer afford the tuition fees. Between 1893 and 1898 Joyce studied at Belvedere College. At age nine, Joyce wrote the poem ‘Et Tu, Healy’ which was printed by his father, John Joyce, and given to family and friends. In 1898 he began studying at University College Dublin, from where he graduated with a degree in modern languages in 1902.

After graduating, Joyce started studying medicine, first attending the Catholic University Medical School in Dublin, followed by the École de Médecine in Paris. By 1903, he changed his mind and returned to Dublin after learning that his mother was dying.

In 1904 he met Nora Barnacle, who became his lifelong companion. That year, Joyce moved to Trieste in Austria-Hungary, where he worked as an English teacher. In 1915 he moved to Switzerland and in 1916 he published his first novel: A portrait of the Artist as a Young Man.

In 1918 he started publishing chapters of Ulysses in The Little Review, an American journal. Those chapters were deemed obscene in an American court due to their depiction of sexual scenes including one where the character of Leopold Bloom masturbates on a beach after a young woman shows him her underwear. For that reason, Uylesses was not published in the United States until 1934. However, the novel was published by independent publisher Sylvia Beach in Paris in 1922.

Fig. 1 - James Joyce in 1918.

In 1920, Joyce moved to Paris where he lived until 1940 when he returned to Zurich. In 1939, his final novel, Finnegans Wake, was published.

In January 1941, less than one month before his 59th birthday, Joyce died following surgery for a perforated ulcer.

James Joyce's Contribution to Literature

Joyce was a key contributor to the modernist avant-garde literary movement.

One of Joyce’s well-known contributions to this genre is Finnegans Wake (1939). The novel is famous for being challenging to understand due to its incohesive narrative structure, use of nonce words, and sesquipedalian writing.

Following the publication (and banning) of Ulysses (1922), Joyce achieved global fame. He even appeared on the cover of Time Magazine in January 1934. Despite his global fame, Joyce didn’t receive much recognition for his work in the form of awards. For instance, he never received a nomination for the Nobel Prize for Literature.

We still feel Joyce’s influence today. His writing influenced other famous writers like William Faulkner (1897-1962) and Ernest Hemingway (1899-1961). In 1999, the Modern Library named two of Joyce’s novels in their ranking of the 100 most notable novels of the century - Ulysses was named the most notable novel, while A Portrait of the Artist as a Young Man (1916) was placed at third place.

Joyce’s Writing Style

If you read each of the books listed in this explanation in order, you’ll notice that they get more challenging to read as Joyce employs more complex narrative techniques such as mimetic narrative and stream-of-consciousness. This is because his prose is experimental; he aims to encapsulate the internal human experience of the world.

This is particularly evident through Joyce's use of the literary device of Epiphany. The device is associated with modernist fiction and is a non-narrative genre.

Fig. 2 - A bust of James Joyce in Dublin.

James Joyce's Books

Let’s study briefly Joyce’s works to discuss his writing style and the main topics of his writing.

Ulysses (1922)

Ulysses is considered a parallel of Homer’s Odyssey (8th of 7th century BCE). Not only is the name Ulysses (the Latin version of Odysseus) but the chapters in Joyce’s novel correspond with the events in the Odyssey.

The novel’s action takes place in Dublin on 16 June 1904 and covers the ‘adventures’ of three main characters: Stephen, Bloom, and Molly. The novel explores the relationships between people and their everyday lives. It also involves the themes of Catholicism and Irish Nationalist politics.

Fig. 3 - Picture of the first edition of Ulysses.

Ulysses is most famous for its use of a first-person, stream-of-consciousness narrative, intended to represent human thought. This narrative choice makes Ulysses an expressionist drama, as it places emphasis on the subjective emotional experiences of the characters instead of objective events in the external world.

James Joyce’s Poems

Alongside his novels, James Joyce also wrote a number of poems on several themes. During his lifetime, Joyce published two poetry collections: Chamber Music (1907) and Pomes Penyeach (1927).

One theme which appears in his poetry is familial and paternal love. For example, ‘On the Beach at Fontana’ (1917) centres on Joyce's paternal love for his son Giorgic, and the need to protect him from the dangers of life. ‘A Flower Given To My Daughter’ (1931) touches on Joyce’s relationship with his eldest child, Lucia, and his need to also protect her from the world.

Joyce also touches upon his own life experiences in his poetry.

Key themes in James Joyce’s works

Let’s discuss in more depth some of the main themes in Joyce’s works.

The Church and Religion

Joyce had a complicated relationship with Catholicism, which is clearly displayed in his work. Early in his life, he moved away from the Roman Catholic church. During his mother's final days she tried to get him to take communion and confess, which he refused to do.

Joyce’s work was heavily influenced by the Catholic faith. For instance, Stephen, the protagonist of A Portrait of the Artist as a Young Man and Ulysses’, chooses to exile himself from his home of Ireland after becoming disenchanted with Irish society and the dominance of Catholic values.

Religion influences both the structure and the content of Joyce’s writing. For example, Ulysses employs catechism in the ‘Ithaca’ episode.

While the use of catechism in Ulysses doesn’t relate directly to the Church in the context of the novel, it highlights how Joyce’s religious upbringing influenced his work. Joyce not only directly addresses religious debates in his writing, but he also employs techniques that relate to religious institutions.

Dublin and Irish Politics

Even though James Joyce wrote most of his work while living outside of Ireland, the majority of his work and its fictional settings centre around Dublin, its history, and its culture.

Dubliners, as noted, is a set of short stories centring on Irish history and culture, particularly in the context of the Potato famine. A Portrait of the Artist as a Young Man touches on aspects of Joyce’s own life and personal experiences with the sectarian conflict in early twentieth-century Ireland, and Irish national politics, particularly the effect of British colonial rule over Ireland.

Famous James Joyce Quotes

Ulysses (1922), Episode Two: ‘Nestor’.

This quote from Episode Two of Ulysses encapsulates the influence of history and politics on Joyce's work.

In Episode Two, Stephen converses with Mr. Deasy, the headmaster of the school where he teaches. Stephen debates the history of Ireland with Deasy, evading Deasy's attempts to talk down to him, and persuade him to agree with his religious conception of history.

During their debate, Deasy presents the anti-semitic view that ‘England is in the hands of the jews’ and that ‘jew merchants are already at their work of destruction’. Deasy attempts to justify or erase the violence and persecution faced by the Jewish people by highlighting how they are not of the Catholic faith. The bigoted nature of Deasy's argument is made clear in Stephen's response that ‘A merchant... is one who buys cheap and sells dear, jew or gentile, is he not?’.

Stephen’s claim that ‘history is a nightmare’ later in the episode continues his earlier opposition to Deasy's attempts to exclude the Jewish people from the history of violence. Alongside it's role in the context of the episode this quote underpins the violent nature of Irish history and Stephen's own attempts on hopes to escape from his own history and upbringing.

A Portrait of the Artist as a Young Man (1916), Chapter One.

Here we see an strong example of Joyce's stream-of-consciousness style of writing. At the opening of A Portrait of an Artist the character of Stephen is a child. The use of stream-of-consciousness narrative here portrays Stephen's infant consciousness, and the memories it has retained. The repetition of ‘his father’ followed by the recognition that his father ‘had a hairy face’, creates the idea that Stephen is slowly recognising and realising things about the world around him. Thus, at the opening of the novel, a stream-of-consciousness narrative provides the reader with a unique insight into the inner-mind of Stephen even before he is old enough to talk or write.

Dubliners (1914), ‘An Encounter’.

In Dubliners, numerous characters steadily become disheartened by the pursuit of their aspirations. In ‘An Encounter’ the narrator longs for ‘real adventures’ outside the Catholic School which he feels under-stimulated by. The narrator's need to escape from his existence is evident in the reflection that he has to leave the home.

Sources

¹ Fintan O'Toole, 'Modern Ireland in 100 Artworks: 1922 – Ulysses, by James Joyce', The Irish Times, 2014.