Jonathan Coe

Jonathon Coe: biography

Born in Lickey, Birmingham, in 1961 to Frank, a physicist, and Mary, a school teacher, Jonathon Coe attended King Edward’s School. While an eight-year-old student, he began writing his first novel, The Castle of Mystery (1969). Parts of it were published in What a Carve Up! (1994). The school was also the setting for his later novel, The Rotters’ Club (2001).

He was educated at Cambridge University, graduating with a BA in 1983. His Masters and PhD thesis on Henry Fielding’s Tom Jones (1749) were completed through the University of Warwick. His band, The Peer Group, was pretty short-lived, but he did succeed in publishing his first novel, The Accidental Woman (1989), as a student. He then taught poetry at Warwick, as well as being a professional musician, writing music for jazz and cabaret. His career before becoming a full-time novelist also included stints as a legal proofreader and a journalist.

Most well known for his satirical novels on English culture, he has also written biographies of the actors Humphrey Bogart and James Stewart. The most famous is his biography of novelist B. S. Johnson, which won the Samuel Johnson Prize. His collection of short stories includes the works ‘9th’ and ‘13th’.¹

Jonathan Coe currently lives in North London with his wife, Janine McKeown. They have two daughters, Matilda and Madeline.

Jonathan Coe: books

The accidental Rotters’ Club trilogy consists of three novels, The Rotters’ Club (2001), The Closed Circle (2004), and Middle England (2018). Linking the novels together is a group of characters who first meet at King Edward’s School. The Rotters’ Club is a coming-of-age novel, but overall the trilogy is considered to be political satire.

Featuring many elements of postmodernism and some of realism², his books are sociopolitical satires with a focus on Britain, specifically England.

Jonathan Coe: The Rotters’ Club (2001)

The first novel in Coe’s unplanned trilogy, The Rotters’ Club, is mainly set at King Edward School in Birmingham in the 1970s. In a coming-of-age story, the central characters are a group of four friends, Ben Trotter, Phillip Chase, Doug Anderson, and Claire Newman. Ben is the protagonist who experiences a conflict of worldview that is a defining aspect of the plot.

The novel relates the social, popular culture, and political realities of Birmingham. Terrible pop music, failed Prog Rock bands, first love, and community life are mixed with themes of a shifting cultural landscape, class struggles, social injustice, and the Irish–British conflict.

Fig. 1 - The Rotters' Club and Prog Rock are used as a form of escapism.

For the four teenagers, music, particularly Progressive and Punk Rock, becomes a refuge from the complexity of their era. Music also functions as a catalyst for social change.

The Closed Circle (2004)

The second instalment of Coe’s trilogy, The Closed Circle, is set in the years between 1999 and 2003. The four friends have become prosperous but are essentially unhappy. Ben, the protagonist, is an accountant. He is still trying to write his novel while making music on the side. Trapped in an unfulfilled marriage, he pines over the memory of Ceciley, the long lost girl crush of his teenage years.

Philip and Doug are both journalists, with Doug having married and divorced Claire. Disappointment or disillusion is a thread that runs through the lives of the four original characters.

The Closed Circle maintains the aspects of satire and irony that feature in The Rotters’ Club. Themes of young love set within the context of contemporary politics, terrorism, and social conventions recur. As the original cast is now middle-aged, the focus, while current, is also reflective of their past.

Middle England (2018)

Spanning the years 2010 to 2018, the third novel in The Rotters’ Club trilogy sees Ben getting longlisted for the Man Booker prize. Set mainly in the worlds of British media, academia, and politics, the build-up to Brexit and the EU referendum is a key aspect of the novel. The author and journalist Sathnam Sanghera described it as:

Without losing the sense of the satirical comedy of the first two novels, Middle England looks at the interplay between personal decisions and the broader economic and political climate of the time. Although ostensibly a political satire, the novel equally focuses on the relationships and personal journeys of the central characters. The links and disconnect between these levels of the novel are highlighted by the following quote, which is taken from a dialogue between a marriage therapist and a couple who voted differently in the referendum.

Jonathan Coe's importance to contemporary literature

As the winner of many literary prizes, from the Prix du Meilleur Livre Étranger in 1995 to the Samuel Johnson Prize in 2005, Jonathan Coe is recognised by parts of the literary world as a classic contemporary author.

He is also credited with satirically portraying the most pressing issues of contemporary civilisation. As an English author, he has ambitiously attempted a State of the Nation approach with his The Rotters’ Club trilogy, combining elements of broader issues with political and social themes that are distinctly British.

Although he sells many more books in France than anywhere else, The Rotters’ Club has recently been made into a BBC series. This has brought his work into the British mainstream. The French translations of his novels have been criticised for simplifying British class signifiers and creating cultural misrepresentations.⁴

Jonathan Coe is important to literature because he satirises the political and social landscape, providing a starting point for reflection on power structures that is contemporary and current. The well-known author Nick Hornby has referred to him as ‘the best English novelist of his generation’.⁵

¹ ‘Jonathan Coe Biography’, https://jonathancoewriter.com/biography/.

² Denisa Dumitrașcu, Power in Politics and Academia in Jonathan Coe’s Novels (Cambridge Scholars Publishing, 2017).

³ Theo Tait, ‘Review: Middle England by Jonathan Coe’, The Times (2018)

⁴ Helena Chadderton, ‘Translating Class in Jonathan Coe’, The Translator. 2017

⁵ Jonathan Coe, Expo58: A Novel (Houghton Mifflin Harcourt, 2014).