Mary Shelley

Mary Shelley: facts

Mary Shelley: biography

The question of who Mary Shelley was is perhaps best answered by looking at her parents. Mary was the daughter of two of the most remarkable people of the age, William Godwin and Mary Wollstonecraft. Both were radicals, and both believed in the possibility of a better, freer world.

Godwin was a political philosopher and author of Enquiry Concerning Political Justice (1793), and Wollstonecraft was the author of A Vindication of the Rights of Woman (1792).

Although neither agreed with the institution of marriage (Godwin believed it should be abolished, along with the government), the couple married in 1797 to protect their child, and Mary was born a few months later.

Mary never knew her mother, who died ten days after giving birth. Godwin’s biography Memoirs of the Author of A Vindication of the Rights of Woman (1798) was written in the following months. Mary got to know her mother through her written words: tales for children, a little book of Lessons for her and Fanny, and later, Godwin’s biography.

Early influences

Early visitors to the Godwin household before Godwin's second marriage included the Romantic poet Samuel Taylor Coleridge. Coleridge was a father himself, a lively conversationalist, and a natural entertainer. He treated Godwin’s quiet little girls as special people and would draw them out of themselves. In 1802, however, Coleridge returned to the Lake Country.

Kind-hearted yet emotionally restrained, Godwin was left with a baby daughter and an older step-daughter Fanny (his wife’s child by a former lover). Godwin did not feel himself up to the task of bringing up the children alone.

In 1801 he married the widowed Mary Jane Clairmont, who already had 2 children of her own, Charles and Jane.

A further child, William, was born. Mary, inheriting her father’s reticence, and her mother’s affectionate nature, felt isolated from an early age by this added-on family. The second Mrs Godwin did not share the intellect of either her husband or Mary’s late mother, although she did later take an interest in literary endeavours (hence the publishing firm).

Mary Godwin Shelley

The two families did not mix well, and by the time Mary was 14, she was suffering from eczema and isolation. Her father decided to send her to connections in Scotland for her health. Despite the uncomfortable journey (seasickness and theft of her money) Mary welcomed the freedom. She visited Scotland twice. On her return from her second visit, she met Percy Bysshe Shelley.

Shelley, a disciple of Godwin’s, had offered a loan to help out the now nearly-bankrupt Godwin. Shelley was already married with a child and another one on the way. He was also regretting his hasty union with Harriet Westbrook. Separated and lonely, he welcomed Mary’s company and they spent most of their time together. Many meetings took place at the tomb of Mary’s mother, and in the summer of 1814, Mary expressed her feelings to Shelley.

Relying on the elder Godwin’s former belief in freedom of love, Mary Godwin and Shelley disclosed their love for one another to him. However, even the progressive Godwin was horrified. As he complained to a friend at the time:

Godwin attempted to separate the lovers. However, the couple, together with Mary’s step-sister Jane (later ‘Claire’) Clairmont, escaped to Calais. Mrs Godwin (Mary’s stepmother) followed the trio there and attempted (unsuccessfully) to persuade Mary to return home.

Their elopement was followed by a period of uncertainty. Mary, Shelley, and Jane travelled across France, often on foot, as far as Switzerland. They returned to London in September of 1814 in need of money, only to find Harriet had emptied Shelley’s bank account. Godwin, meanwhile, wanted nothing more to do with Mary. Shelley got some of his money back from Harriet, but his father refused to help him any further (they had not spoken since Shelley’s expulsion from Oxford).

Shelley’s grandfather then died, and financial circumstances improved sufficiently for the Shelleys to settle for a time in London. In 1815, Mary gave premature birth to a daughter who died shortly after. Jane and Shelley seemed to be drawn closer to each other. Mary, meanwhile, was desolate after the loss of her child, and her relationship with Shelley grew strained. The Shelleys sent Jane away to stay with friends.

In 1816, Mary’s son was born, and Shelley produced 'Alastor, or Spirit of Solitude'. In the summer of the same year the Shelleys, together with Jane (now Byron’s mistress), joined Lord Byron in Switzerland. While staying at Lake Geneva, Mary Shelley began writing Frankenstein.

In addition to her novels, Mary Shelley also wrote travelogues and histories of authors such as Cervantes, Machiavelli, and Moliere. She wrote another historical romance inspired by a real person: The Fortunes of Perkin Warbeck (1830). This was followed by Lodore, a family romance, in 1834.

Her Rambles in Germany and Italy was published in 1844. Percy’s father Sir Timothy Shelley died the same year, and Mary’s son Percy Florence inherited the by-now heavily indebted estates. In 1849, Mary Shelley moved with her son and his new wife to Field Place, the Shelley country home.

Mary Shelley's cause of death

Mary Shelley's final years were plagued by illness, paralysis, and headaches. She died in 1851 after a short illness and lies buried between her parents in St Peter’s churchyard, Bournemouth. Her cause of death is thought to be a brain tumour.

Her legacy remains the story of the child abandoned by its father (as Godwin had abandoned her): Frankenstein. Although she wrote other great works, it is Frankenstein for which she continues to be remembered most.

In the words of Anne Mellor, her writings act as a

Mary Shelley's books

The following section features Shelley's famous works.

Frankenstein (1818)

In June of 1816 the Shelleys and Byron discussed philosophy, the principle of life, and ghost stories. A writing contest was announced: who could write the scariest tale? Later, Mary described the process:

The contest had proved easier said than done; and when Mary had this waking dream of horror, she sought to distract her mind:

Mary started writing, and by 1817 had completed the story of Frankenstein or The Modern Prometheus.

Fig. 2 - Victor Frankenstein in the act of rejecting his creation.

Mathilde (1819)

Mary Shelley completed another book, the incest drama novella Mathilde in 1819. It was not published until after her death. This novel follows 3 months in the life of a tragic actress, who lives in a world of make-believe.

The book may have drawn elements from her own life, but according to more recent critics, should not be regarded as autobiographical. Certainly, the hysterical lead character Mathilde is not similar to Mary (and Mary does not appear to have liked Mathilde much either).

The Shelleys were living in Florence at this time, and in November 1819 Percy Florence, the Shelleys' sole surviving child, was born.

In May of 1822, the Shelleys moved into Casa Magni in Lerici. In June, Mary miscarried and Shelley saved her life. In August, after a fateful visit to Byron at Livorno, Shelley drowned after his yacht went down in a summer storm in the Bay of Lerici. Shelley’s body drifted ashore ten days later and he was cremated on the shore of Viareggio.

Penniless, with one surviving child, Mary made her sorrowful way back to London. She attempted to publish Shelley’s poems in a collection, but only his father Sir Timothy Shelley bitterly resisted her efforts. He demanded custody of Percy Florence, but when Mary refused, he arranged instead an allowance of £100 a year, increasing it every year, to help with the upkeep of his grandson.

Mary, always shy and reticent by nature, now gradually withdrew from society. Her third novel, Valperga, which she had been working on for the previous couple of years, was published in 1823, followed by The Last Man in 1826.

Valperga (1823)

Valperga is a historical romance, set in medieval Italy, against the war between the Ghibellines and the Guelphs. It is the story of a Byronic Prince Castruccio, and his relationships with two women, Euthanasia and Beatrice.

Euthanasia is a female version of Mary’s husband Percy, combined with Mary Wollstonecraft’s ‘rational feminist’. Beatrice is a prophetess and the victim of a witch. At one point Euthanasia gives Beatrice shelter and attempts to rally her dejected spirits. This suggests Mary’s own struggle with depression, which Percy also attempted to heal unsuccessfully.

The Last Man (1826)

Shelley wrote another science-fiction novel that differed from Frankenstein - The Last Man. This could be termed an early (if not the earliest) dystopian ‘Last Survivor’ novel. Set in the 21st century, the world population is nearly wiped out by cholera.

Three to four characters journey to the continents in search of a survivor community. After several disappointments, they are reduced to one survivor, the Last Man in the World. It can also be viewed as semi-autobiographical, as Mary Shelley returned to London after Percy Shelley’s death, having also lost two children. In 1824 she wrote:

The novel explores the theme of power, both socially and emotionally. Much of the first part concerns the contrasts in the two leading male characters, Adrian and Raymond. The philosophical republican Adrian is based on Shelley, while the ambitious, heroic Raymond is based on Lord Byron.

The Last Man did not enjoy the popularity of Frankenstein, and was largely forgotten until the 20th century. It is now recognised as Shelley’s next most important work after Frankenstein and foreshadows modern apocalyptic fiction.

Dreams and Mary Shelley

All of Mary’s novels contain dream sequences.

• In Frankenstein, Victor dreams of his dead mother.
• In Mathilde, the heroine has a prophetic dream about her father’s suicide.
• Beatrice in Valperga has a dream where she meets her own double. She, like Mathilde, has prophetic dreams, but about her own death rather than anyone else’s.

Shelley's work's focus on dreams adds to the atmosphere of these tales, but also foreshadows later events of the narratives.

Another example is in The Last Man, when Lionel (based on Shelley) dreams he is searching for Raymond (Lord Byron) after the fall of Constantinople and finds him

The phantom continues to grow and grow, filling and engulfing the world. This would seem to be Shelley's analysis of the dangers of (male) ambition and aggression. Byron had died just a few months before Shelley wrote The Last Man.