Zadie Smith

Zadie Smith: books

During her time at Cambridge, she began drafting White Teeth. The partial manuscript for the novel was the subject of a bidding war, with the rights eventually going to Hamish Hamilton. White Teeth was published in 2000 as Smith's debut novel to critical and commercial success. The novel spans almost 50 years of the lives of two friends, Archie Williams and Samad Iqbal, who live in Willesden, northwest London, and follows their experiences of cultural identities, immigration, and their familial lives. White Teeth has had an impressive legacy. It has won various awards, including the Whitbread First Novel Award in 2000, and it was also adapted for television by Channel 4 in 2002.

Following the success of her first novel, Smith published her second novel, The Autograph Man, in 2002. Although it was received with less critical acclaim than White Teeth, it was still a commercial success. The novel's protagonist is Jewish-Chinese autograph trader Alex-Li Tandem in London. The Autograph Man examines contemporary society's relationship with celebrity and pop culture.

After the novel's publication, Smith became a visiting fellow at the Radcliffe Institute for Advanced Study at Harvard University, where she began work on a book of essays that still remains unpublished. The essays consider a variety of twentieth-century writers through the lens of moral philosophy.

In 2005, Smith published her third novel, On Beauty, cementing her place as one of Britain's foremost contemporary novelists. The novel is set in a fictional suburb of Boston and centres on two families and their seemingly different but increasingly intertwined lives. On Beauty is heavily influenced by Howard's End, a 1910 novel by E.M. Forster.

Smith's On Beauty (2005) was praised for its wit and satire. It explores themes such as racial and cultural identities, typical of Smith's novels. The novel was shortlisted for the Man Booker Prize and won the Orange Prize for Fiction in 2006.

In 2010, Smith became a tenured professor of fiction at New York University, and it was not until 2012 that her next novel, NW, was released. The novel takes its name from the NW postcode of northwest London, which is where the novel is set and where Smith grew up. It follows the lives and friendships of four Londoners through a distinctly experimental narrative that explores the nature of urban life. Smith's narrative interestingly blends third and first-person and experiments with form, using narrative techniques like stream-of-consciousness and vignettes to explore the mindsets of the different characters throughout their divergent lives.

Swing Time (2016), Zadie Smith's most recent novel, follows two girls and their love of tap-dancing: a childhood hobby and love of Smith's. As in many of her novels, Swing Time interrogates themes of race and class as they are chronicled through relationships. The novel was longlisted for the Man Booker Prize in 2017.

In 2019, Smith authored her first collection of short stories. Grand Union contains nineteen short stories, eight of which were published in various magazines, including The New Yorker and The Paris Review. Throughout her career, Smith has published an array of essay collections, including Changing My Mind (2009), Feel Free (2018), and most recently Intimations (2020), all to great critical and commercial success.

Most recently, Zadie Smith made her playwriting debut with The Wife of Willesden in 2021, which reimagines Chaucer's 'The Wife of Bath's Tale' from The Canterbury Tales. The pilgrimage of The Canterbury Tales is transformed into a modern-day pub crawl in London but still retains the key themes of Chaucer's original tale.

Zadie Smith: quotes

In an article for The Guardian in 2010, Smith reveals the last of her ten rules for writing fiction.

Smith considers the difference between 'tradition' and 'religion' in White Teeth (2000). In an interesting observation, Smith notes that the perceived comforts of tradition and culture can become as harmful and restrictive as many institutions of religion.

In her 2018 collection of essays, Feel Free, Smith openly talks about the grim state of 'the world' and what it means to be happy despite the shortcomings of modern society.

Zadie Smith: writing style

Zadie Smith has become one of the most important contemporary British writers. Her writing style remains unique in its playful wittiness, and her narratives intertwine in vibrant and interesting ways, all the while considering complex themes like race, class, and culture.

Smith's writing often feels honest and refreshing. Her careful and reflective treatment of issues of identity has become crucial to conversations about contemporary society, and her contributions to modern literature cannot be understated. As both a woman and writer of colour, Smith is an important figure for young writers who seek to explore their cultures in literary spheres that often seem exclusive and restrictive.

¹ Sebastian Shakespeare, 'The secret life of Zadie Smith.' The Evening Standard. 4 September 2002.