Ode on a Grecian Urn

Behold the stillness of a moment captured forever on a Grecian urn, as John Keats unravels the mysteries of life and death through his immortal words. With each stanza, he invites us to ponder the complexities of existence and the fleeting nature of human experience. 'Ode on a Grecian Urn' (1819) is one of John Keats's 'Great Odes of 1819'. But what is it exactly that makes it so great? Let's take a close look at the historical and literary context behind this famous poem, before analysing its form and structure.

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    Ode on a Grecian Urn, John Keats's Grecian Vase, StudySmarterFig. 1 - Keats's drawing of an engraving of the Sosibios Vase.

    'Ode on a Grecian Urn': summary

    Below is a summary of the characteristics of Keats' poem.

    'Ode on a Grecian Urn' Summary and Analysis
    Date published1819
    AuthorJohn Keats
    FormOde
    MeterIambic pentameter
    Rhyme SchemeABAB CDE DCE
    Poetic DevicesEnjambment, assonance, and alliteration
    ToneVaried
    ThemeThe contrast between immortality and mortality, the pursuit of love, desires and fufillment
    Summary
    • Throughout the poem, the speaker meditates on the relationship between art and life. He argues that while life is fleeting and impermanent, art is eternal and unchanging.
    • The images on the urn, he suggests, will continue to inspire and fascinate viewers long after the people and events they depict have passed into obscurity.
    AnalysisThe poem is an exploration of the nature of art and its relationship to human experience. It is an exploration of mortality and the transience of life.

    'Ode on a Grecian Urn': context

    John Keats did not live long, but the two historical contexts to be considered when reading this poem are Greek history and Keats' own personal life.

    Greek History

    Urns were used to store the ashes of the dead. From the title, Keats introduces the theme of mortality as the urn is a tangible symbol of death. Tales of great Greek heroes were often inscribed on pottery, with images detailing their adventures and bravery.

    In a letter to Fanny Brawne (his fiancée), dated February 1820, Keats said 'I have left no immortal work behind me – nothing to make my friends proud of my memory.'

    How do you think Keats' view of his own life influenced his view of the figures on the Grecian urn?

    A specific urn is not described, but we know that Keats did see urns in real life at the British Museum prior to writing the poem.

    In the poem 'On Seeing the Elgin Marbles', Keats shares his feelings after seeing the Elgin Marbles (now known as the Parthenon Marbles). Lord Elgin was the British ambassador to the Ottoman Empire. He brought several Greek antiques to London. The private collection was then sold to the government in 1816 and displayed in the British Museum.

    Keats describes the mingling of 'Grecian grandeur with the rude / Wasting of old time' in On Seeing the Elgin Marbles. How can this statement shape our reading of 'Ode on a Grecian Urn'? How does it help us understand his sentiment?

    Keats' personal life

    Keats was dying from tuberculosis. He had witnessed his youngest brother die from the ailment earlier in 1819, at only 19 years old. At the time of writing 'Ode on a Grecian Urn', he was aware that he also had the disease and his health was rapidly deteriorating.

    He had studied medicine, before dropping it to focus on poetry, so he recognised the symptoms of tuberculosis. He died from the illness just two years later, in 1821.

    How can a modern reading of Ode on a Grecian Urn be shaped through the lens of the recent Covid-19 pandemic? With our first-hand experience of a pandemic, how can we relate to the circumstances Keats was living through? Think back to the beginning of the pandemic when there was no vaccine: how did public sentiment mirror the sentiment of inevitability and hopelessness Keats felt and expressed?

    Keats was introduced to the theme of mortality early on in his life, when his mother died from tuberculosis when he was 14 years old. His father had died in an accident when Keats was 9 and so he was left orphaned.

    Literary context

    'Ode on a Grecian Urn' was written during the Romantic era and as such falls under the literary tradition of Romanticism.

    Romanticism was a literary movement that peaked during the 18th century. The movement was very idealistic and concerned with art, beauty, emotions, and the imagination. It started in Europe as a reaction to the 'Age of Enlightenment', which had valued logic and reason. Romanticism rebelled against this, and instead celebrated love and glorified nature and the sublime.

    Beauty, art, and love are the main themes of Romanticism - these were seen as the most important things in life.

    There were two waves of Romanticism. The first wave included poets such as William Wordsworth, William Blake, and Samuel Taylor Coleridge.

    Keats was part of the second wave of Romantic writers; Lord Byron and his friend Percy Shelley are two other notable romantics.

    'Ode on a Grecian Urn': full poem

    Below is the full poem of 'Ode on a Grecian Urn'.

    Thou still unravish'd bride of quietness, Thou foster-child of silence and slow time,Sylvan historian, who canst thus express A flowery tale more sweetly than our rhyme:What leaf-fring'd legend haunts about thy shape Of deities or mortals, or of both, In Tempe or the dales of Arcady? What men or gods are these? What maidens loth?What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy?Heard melodies are sweet, but those unheard Are sweeter; therefore, ye soft pipes, play on;Not to the sensual ear, but, more endear'd, Pipe to the spirit ditties of no tone:Fair youth, beneath the trees, thou canst not leave Thy song, nor ever can those trees be bare; Bold Lover, never, never canst thou kiss,Though winning near the goal yet, do not grieve; She cannot fade, though thou hast not thy bliss, For ever wilt thou love, and she be fair!Ah, happy, happy boughs! that cannot shed Your leaves, nor ever bid the Spring adieu;And, happy melodist, unwearied, For ever piping songs for ever new;More happy love! more happy, happy love! For ever warm and still to be enjoy'd, For ever panting, and for ever young;All breathing human passion far above, That leaves a heart high-sorrowful and cloy'd, A burning forehead, and a parching tongue.Who are these coming to the sacrifice? To what green altar, O mysterious priest,Lead'st thou that heifer lowing at the skies, And all her silken flanks with garlands drest?What little town by river or sea shore, Or mountain-built with peaceful citadel, Is emptied of this folk, this pious morn?And, little town, thy streets for evermore Will silent be; and not a soul to tell Why thou art desolate, can e'er return.O Attic shape! Fair attitude! with brede Of marble men and maidens overwrought,With forest branches and the trodden weed; Thou, silent form, dost tease us out of thoughtAs doth eternity: Cold Pastoral! When old age shall this generation waste, Thou shalt remain, in midst of other woeThan ours, a friend to man, to whom thou say'st, "Beauty is truth, truth beauty,—that is all Ye know on earth, and all ye need to know.

    'Ode on a Grecian Urn': analysis

    Let's delve into a deeper analysis of 'Ode on a Grecian Urn'.

    Form

    The poem is an ode.

    An ode is a style of poem that glorifies its subject. The poetic form originated in ancient Greece, which makes it a fitting choice for 'Ode on a Grecian Urn'. These lyric poems were originally accompanied by music.

    Structure

    'Ode on a Grecian Urn' is written in iambic pentameter.

    Iambic pentameter is a rhythm of verse where each line has ten syllables. The syllables alternate between an unstressed syallable followed by a stressed one.

    Iambic pentameter mimics the natural flow of speech. Keats uses it here to mimic the natural flow of conscious thought - we are taken into the poet's mind and hear his thoughts in real time as he observes the urn.

    'Ode on a Grecian Urn': tone

    'Ode on a Grecian Urn' has no fixed tone, a stylistic choice made by Keats. The tone is ever-changing, from admiration of the urn to despair at reality. This dichotomy between admiration of art and the gravity of Keats' thoughts on mortality is summarised at the end of the poem:

    Beauty is truth, truth beauty, - that is all

    Ye know on earth, and all ye need to know

    Beauty represents Keats' admiration of the urn. Truth represents reality. Equating truth and beauty with each other in the conclusion of his discussion of the two is an admission of defeat from Keats.

    The entirety of the poem presents Keats' struggle between the two concepts, and this statement represents the end of that struggle. Keats accepts that there are some things he does not 'need to know'. It is not a resolution of the struggle between art and reality, but an acceptance that there will never be one. Art will continue to defy death.

    'Ode on a Grecian Urn': literary techniques and devices

    Let's take a look at the literary techniques used by Keats in 'Ode on a Grecian Urn'.

    Symbolism

    First, let us look at the symbolism of the urn itself. Amongst the Elgin Marbles which inspired the poem, there were many different types of marble, sculptures, vases, statues, and friezes. So it is significant that Keats chose an urn as the subject of the poem.

    An urn contains death (in the form of ashes of the deceased) and on its outer surface, it defies death (with its depiction of people and events immortalised forever). The choice to write about an urn introduces us to the poem's principal theme of mortality and immortality.

    Ode on a Grecian Urn, the Poem copied by George Keats, StudySmarterFig. 2 - George Keats copied the poem for his brother, proving the lasting endurance of the poem.

    Alliteration and assonance

    Keats uses alliteration to mimic an echo, as the urn is nothing but an echo of the past. An echo is not an original sound, just a remnant of what once was. The use of assonance in the words 'trodden weed' and 'tease' adds to this echoing effect.

    Alliteration is a literary device featuring the repetition of similar sounds or letters in a phrase.

    An example of this is 'she sang softly and sweetly' OR 'he crudely crammed the crumbly croissant into his mouth'

    Assonance is a literary device similar to alliteration. It also features repeated similar sounds, but here the emphasis is on vowel sounds - in particular, stressed vowel sounds.

    An example of this is 'time to cry.'

    Question marks

    Keats asks many questions throughout the poem. The frequent question marks which punctuate 'Ode on a Grecian Urn' are used to break up the flow of the poem. When analysed for its use of iambic pentameter (which is used to make the poem feel like a stream of thought as Keats observes the urn), the questions he asks are representative of his grappling with mortality. This hinders his enjoyment of the art on the urn.

    Contextually, we can see how Keats' own questions about the longevity of his life affect his appreciation of the Romantic ideals the urn represents. These ideals of love and beauty are explored through the image of the 'bold lover' and his partner. In a mocking tone Keats writes:

    though thou hast not thy bliss,

    For ever wilt thou love

    Keats thinks the only reason the couple will love 'for ever' is because they are suspended in time. Yet he thinks their love is not real love, for they are unable to act on it and consummate it. They do not have their bliss.

    Enjambment

    Keats uses enjambment to show the passing of time.

    Heard melodies are sweet, but those unheard Are sweeter; therefore, ye soft pipes, play on

    The way the sentence runs on from 'those unheard' to 'are sweeter' suggests a fluidity that transcends the structures of the lines. In the same way, the pipe player on the urn transcends the structure and confines of time.

    Enjambment is when the idea or thought continues past the end of the line into the following line.

    Ah, happy, happy boughs! that cannot shed Your leaves, nor ever bid the Spring adieu;And, happy melodist, unwearied, For ever piping songs for ever new;More happy love! more happy, happy love!

    The repetition of the word 'happy' describing the art on the urn emphasises the desire Keats has to live forever. At this time in his life Keats was decidedly unhappy and his poetic art was his only escape. He envies the 'happy melodist' who gets to create his art forever, 'unwearied' by the burdens of reality.

    'Ode on a Grecian Urn': themes

    The main themes for 'Ode on a Grecian Urn' are the passage of time, desire and fulfilment, and transience and impermanence.

    1. The relationship between art and life: The poem explores the idea that art is eternal and unchanging, while life is fleeting and impermanent. The images on the urn will continue to inspire and fascinate viewers long after the people and events they depict have passed into obscurity.
    2. Desire and fulfilment: The speaker is drawn to the images of young lovers depicted on the urn, who will remain forever locked in an eternal embrace. He contrasts their unchanging passion with the transience of human desire, which is always in flux and can never be fully satisfied.
    3. Transience and impermanence: While the urn and its images are eternal, the people and events they depict are long gone. The poem acknowledges the fleeting and imperfect nature of human life, and the fact that all things must eventually pass away.

    Pining for love

    The theme of pining for love was also seen in Keats' personal life. Shortly after writing this poem, Keats wrote his first love letter to Fanny Brawne, his fiancée. He grew increasingly obsessed with her, and his love for her was exacerbated by the belief that he was suffering from syphilis. He was haunted by the fact he'd never have his 'bliss' with her. 1

    What men or gods are these? What maidens loth?What mad pursuit?

    In the above quote, Keats cannot distinguish between men and gods. Metaphorically speaking, men are symbolic of mortality and gods are symbolic of immortality. Here the men and gods alike are unified in their pursuit of the maidens, representing love. The point Keats is making is that whether you live forever, or you live for a finite time, it is all the same.

    The gods are just as concerned with love as the humans are. For both of them, it is a 'mad pursuit'. This fits the Romantic ideal that love is what makes life worth living. It is immaterial whether Keats will transcend time like the gods on the urn or whether he will live a short life. However long his life is, it will have no meaning if he can't have love.

    This analysis is supported by the fact that Keats saw Greek and Roman mythology as allegories and metaphors for the human condition, not as literal belief systems.1

    Ode on a Grecian Urn - Key takeaways

    • 'Ode on a Grecian Urn' is a poem written by John Keats in 1819.

    • 'Ode on a Grecian Urn' ponders mortality and the pursuit of love.

    • Keats writes in iambic pentameter with an ABAB CDE DCE rhyme scheme.

    • Keats wrote 'Ode on a Grecian Urn' after seeing the Elgin Marbles. He was inspired by feelings regarding his mortality.

    • Keats was a part of the second wave of Romantic poets, and 'Ode on a Grecian Urn' is a famous example of Romantic literature.

    References:

    1. Lucasta Miller, Keats: A Brief Life in Nine Poems and One Epitaph, 2021.

    Frequently Asked Questions about Ode on a Grecian Urn

    What is the main theme of Ode on a Grecian Urn?

    The main theme of Ode on a Grecian Urn is mortality.

    Why did Keats write Ode on a Grecian Urn?

    Keats wrote Ode on a Grecian Urn to express his thoughts on his own mortality. 

    What kind of poem is Ode to a Grecian Urn?

    Ode to a Grecian Urn is an ode.

    What is Ode on a Grecian Urn about?

    Ode on a Grecian Urn is about human mortality. The death an urn symbolises is contrasted with the permance and immortality of the art inscribed on it.

    When was Ode on a Grecian Urn written?

    Ode on a Grecian Urn was written in 1819, after Keats had seen the exhibition of the Elgin Marbles in the British Museum.

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