The Famine Road by Eavan Boland

'The Famine Road': Eavan Boland

Eavan Boland was born in 1944 in Dublin to a diplomat and a painter. Due to her father's position as a diplomat, Boland lived in both London and New York as a child.

Boland's family returned to Ireland when she was in her mid-teens. She went on to achieve a degree in English Literature and Language from Trinity College Dublin. Boland then worked as a teacher and reviewer. She married her husband Kevin Casey in 1969.

Partly inspired by W.B. Yeats, Boland started writing as a teenager. From the late 1960s onwards, she began to publish collections of poetry. Boland gained popularity relatively quickly. Today, she is recognised as one of the most influential Irish poets of the mid and late twentieth century. Boland is particularly respected for her effort to pave the way for female poets and writers. Some of Eavan Boland's collections include The War Horse (1975), Outside History (1990), and Against Love Poetry (2001).

Eavan Boland passed away from a stroke in 2020.

'The Famine Road': summary

Let's first take a look at 'The Famine Road' itself.

Stanza one

The first stanza of Boland's poem begins with a quote. This is from a letter written by a figure called Trevelyan to Colonel Jones and the Relief Committee.

Stanza two

The second stanza of 'The Famine Road' adopts a new narrative. It is in quotation marks, so we can see it is dialogue. A female subject is being told some statistics about her 'case'. The exact situation is unclear, but we can ascertain a doctor may be speaking.

Stanza three

This stanza returns to the poem's original storyline. It describes the condition of the Irish workers as they are forced to labour on the famine roads. They are suffering, bleeding and lacking food and water. Boland also references the English opinion of the Irish as primitive, suggesting that they may revert to cannibalism.

Stanza four

Boland's fourth stanza returns to the second narrative of 'The Famine Road'. The doctor tells his female patient he does not know what has caused her condition. He speculates arbitrarily, suggesting he does not take her case very seriously. There is little care shown for the feelings of this woman.

Stanza five

This next stanza focuses again on the plight of the Irish workers. One of the workers has contracted typhoid, a common disease at the time of the Famine. The other workers are aware he will not survive much longer. They avoid him to save their own health. There is a lack of empathy because they must prioritise self-preservation.

Stanza six

We now return to the doctor and his patient. His uncaring bedside manner is emphasised further by Boland. He tells the woman that she should take the news of her condition on board and spend time tending to her garden and house. This shows that he thinks of women first and foremost as housewives. He then bids her goodbye. Boland may be showing how dismissive many medical professionals are of women's health concerns. At this point in 'The Famine Road', it is still unclear what exactly is wrong with this woman.

Stanza seven

This is the final stanza that addresses the Famine narrative in Boland's poem. It takes the form of a letter once again. This time it is being written by Colonel Jones to Trevelyan. He informs Trevelyan that his suggestion of famine roads has been a success from the British perspective. The Irish workers are now too exhausted and physically damaged from working on the roads to rebel. They have also been cured of what the Colonel sees as idleness. This is another stereotype. He even seems happy that he recently saw bones while riding in his carriage. Boland is clearly showing the cruelty of these British occupiers.

Stanza eight

The final stanza of 'The Famine Road' returns to the female patient. Readers are told she is 'barren'. Her medical condition is infertility. She seems devastated by the fact that she will never carry a child. She seems to have a partner or husband as she particularly laments she will never be able to bear 'his' child. Boland ends her poem by comparing this woman's infertile body to a famine road.

'The Famine Road': theme

Now let's look at some key themes in Boland's 'The Famine Road'.

'The Famine Road': prejudice

Prejudice is everywhere in 'The Famine Road'. Throughout her poem, Boland emphasises how unfairly the Irish people are treated by their British occupiers. They are looked down upon and seen as inferior. Trevelyan and Colonel Jones perpetuate many anti-Irish stereotypes in their letters.

The stereotype of idleness is repeated twice in the letters of Trevelyan and Jones. They are initially concerned about the idleness of the Irish people, and then relieved that the famine roads have solved this perceived issue. This is a clear prejudice. These British men also believe that the hard labour of working on the famine roads will help the 'characters' of the Irish. Trevelyan and Jones believe that the Irish are lazy and in need of improvement. In reality, Boland makes it clear that the Irish are deeply suffering the effects of the Famine. This suffering can be seen in the below quote.

This narrative is based on historical events. Boland is tapping into real prejudices that were held against Irish people at this time. These were particularly prevalent during the Famine. The British idea of the Irish as inferior led to a lack of help in Ireland's dire time of need during the Potato Famine.

'The Famine Road': gender

The theme of gender can be seen in the second narrative of 'The Famine Road'. This revolves around a conversation between a woman and her doctor in which she discovers she is infertile. This is deeply distressing for her.

It is important to note the doctor's treatment of this woman and his bedside manner. He is harsh and uncaring, much like Trevelyan and Jones. He also does not seem to take her case very seriously, dismissing her infertility as possibly caused by 'spores' or 'a childhood accident'. Boland shows here how women's health issues are often afforded little care or empathy.

As we can see in the following quote, this doctor also has quite a stereotypical view of women.

He suggests that this woman belongs in the domestic space, caring for her home and garden. This is a very restrictive view of women. Boland indicates here that this doctor may not be the best person to care for a female patient. There is a clear power imbalance.

The last stanza of 'The Famine Road' also addresses issues of gender. A voice comments on the situation of this woman. It does not seem to be the doctor, it is unclear who it is. It is also relevant that this woman is not permitted her own voice at any point in 'The Famine Road'. This other voice compares the infertile body of the woman to a famine road. This suggests that neither can perform their primary function anymore.

'The Famine Road': tone

Tone is key to gaining a better understanding of a poem.

The tone of 'The Famine Road' is slightly more complex. This is because it has two storylines and lacks a single, clear narrator.

However, we can see some common themes in the tone of 'The Famine Road'. The tone is pessimistic and sad, even despondent, and there are no positive or happy events in the poem. There is no progress towards anything better for either the Irish people or the infertile woman in 'The Famine Road'.

There is also a tone of arrogance in the voices of Trevelyan, Jones, and the doctor. They have little care for those around them and see themselves as superior. Trevelyan and Jones believe it is their duty to teach and control the Irish people. Similarly, the doctor tells his patient the devastating news of her infertility in a detached tone.

Eavan Boland, 'The Famine Road': analysis

Now let's move on to an analysis of some other areas of 'The Famine Road'.

Form, metre, and rhyme scheme

'The Famine Road' is an eight-stanza poem of varying lengths. The stanzas alternate between two different storylines. It fits into the form of free verse.

Because of this, 'The Famine Road' does not follow a rigid metre or rhyme scheme. Different stanzas have different rhyme schemes. For example, the second stanza follows the scheme AAC, whereas the third stanza does not have a rhyme scheme at all.

Free verse is often used because it is close to how people naturally speak. There are multiple instances of dialogue in 'The Famine Road', so Boland may be using free verse to help get this across.

One of the few consistent formal elements of 'The Famine Road' is the fact that the stanzas containing the second storyline of the woman and her doctor are all tercets.

Poetic devices

Let's now look at some poetic devices in 'The Famine Road'.

Caesura

The use of caesura can be seen in 'The Famine Road'.

Caesuras can affect the rhythm of a poem and how it is naturally read. This is usually intentional by the poet. Caesuras can place emphasis on a certain word or phrase. They can also mark a turn or change in a poem.

This device is present in multiple lines in 'The Famine Road'. One such line is quoted below.

The caesura here can be found in Boland's use of a comma to break up this line. The line in question comes at the start of 'The Famine Road', in Trevelyan's letter to Colonel Jones. The placement of the comma forces readers to stop and focus on the words immediately preceding it. In this case, the words are 'these Irish'. This is relevant because 'these Irish' are who the British occupiers are preoccupied with controlling for the rest of Boland's poem. The phrasing here also suggests an arrogant tone.

Analogy

In creating a poem with two narratives, 'The Famine Road' makes use of the device of analogy. This is when two things are compared, or similarity is drawn between them to reveal a more profound meaning.

Boland builds her analogy throughout the poem. It is finally revealed in the last stanza, which is quoted below.

Boland uses a purposeless famine road as an analogy for the body of an infertile woman. This is quite an unusual and shocking comparison to make. It forces readers to stop for a moment and consider this. Boland is also linking the past with the present here. In comparing the two, Boland suggests that both lack meaning and a true reason for being.

Frequently noted imagery

We will now look at imagery in 'The Famine Road'. Much of this revolves around suffering bodies. We will look at exactly what forms these images take.

Suffering bodies

Boland uses vivid and dark imagery in 'The Famine Road'. This centres around suffering bodies.

There is a repetition of blood imagery in Boland's poem. This is first mentioned when the narrator tells us that Trevelyan's seal 'blooded' the table when the Relief Committee made a deal about the famine roads. This foreshadows the suffering of the Irish to come. Blood is referenced twice more in 'The Famine Road'. Once in relation to the pain of the labouring workers and another time regarding the worker who has contracted typhoid.

There is also frequent imagery of bones in 'The Famine Road'. In the first stanza, Trevelyan states that the bones of the Irish' need toil'. This then happens throughout the following stanzas. In the penultimate stanza, Jones tells Trevelyan that he has seen 'bones' from his carriage window. This is a harrowing image, particularly because it is said so positively. The British occupiers have gone from wishing the Irish people to work hard to driving them to death.

All of these images depict the human body as a site of suffering. This was commonplace during the Famine. There is also the image of a suffering body in the second storyline of Boland's poem. The suffering of this infertile woman is caused solely by her body's inability to do something. The Irish workers are suffering because of the impact of outside actions on their bodies and the woman is suffering because of her own body.