Olfactory Description

Definition of Olfactory Description

Like with any of the five modes of sensory description, the olfactory description is just one way to engage the reader.

An olfactory description tells you how something smells, whether literal or figurative.

Purpose of Olfactory Description

Like the other sensory descriptions, you use the olfactory description to engage readers' memories and emotions.

The olfactory description has a simple bag of tricks. Olfactory descriptions usually describe simple objects, often within visual range. Here's a simple olfactory description.

However, olfactory descriptions can also be used figuratively to describe how someone might detect emotion in someone else. In this way, the sense of smell is sometimes used to describe the “sixth sense.”

How to Identify an Olfactory Description

To identify an olfactory description, look out for the key verb “to smell,” the nouns “smell” and “scent,” and also look for context clues.

In simple uses of the olfactory description, the context will be somebody smelling something.

Even if something has no particular scent—let’s say a DVD—describing that DVD as “smelling like nothing” is an olfactory description because it involves how something smells. Look out for those keywords like “smell” and “scent."

Context clues provide a special service to readers. Not only can they clarify how something “smells” on the surface, but they can contextualize the emotional meaning of a smell. In other words, context clues can help you understand the deeper meaning of a description.

Using context clues, we understand how “moth-eaten linens” and “a rotting foundation” can smell “incredible.” It’s because this character hasn’t been to this house in years, and it’s the house of their favorite uncle. Likely the character has fond memories of this place. These familiar scents may have a pleasant, nostalgic connotation.

Use context clues to learn all you can about sensory descriptions and how they impact the characters, the narrative, and the themes of a story or passage.

Olfactory Description Examples

You can divide these into two categories: objective and subjective.

Objective Olfactory Descriptions

An objective olfactory description is matter-of-fact. It describes how something smells, plain and simple.

Notice that none of these examples are opinions, really. The objective olfactory description is intended to communicate what something smells like, as a fact.

Subjective Olfactory Description Examples

A subjective olfactory description is opinionated. It is more interpretable than an objective olfactory description.

Fig.1 - The durian smells amazing... or does it?

More than most other sensory descriptions, olfactory descriptions are opinionated. It’s just something about people: some things smell good or fine to some people, while those same things can smell not so good to other people. The durian is a great example.

Here are some more subjective olfactory descriptions:

All of these examples are a matter of opinion. Someone could easily disagree. If a conclusion is highly contentious, it is a clear indicator of a subjective description.

Figurative Olfactory Description

A figurative olfactory description describes how something tastes by comparing it to something else. Either the subject is not tangible or the description is metaphorical.

Figurative Olfactory Descriptions of Emotions and Ideas

In common terms, a human’s “sixth sense” is a human’s ability to sense something not directly perceptible with a sensory organ.

For example, someone might sense someone is lying to them, due to their body language. Or, someone might sense they are in danger due to prior experiences and observations, even if they don’t see anything dangerous at the moment. In neither of these examples is “a lie” or “something dangerous” directly perceivable. Thus they are perceived with the sixth sense, also known as a gut feeling.

The mere existence of a sixth sense is disputed, to say the least. However, in literature, you will find the sixth sense referenced all the time, often with use of figurative olfactory descriptions.

In these examples, the object of smell isn’t tangible. Even in the last example, the ogre can’t smell danger, which is an idea. You may ask, can’t he smell or see the archers, though? Maybe, but seemingly not. It is implied that the archers are hidden well enough not to be perceptible, and that the ogre must rely on its sixth sense to detect danger at this point.

Fig. 2- Even ogres have a "sixth sense"

As you can also see in these examples, the sixth sense is often represented by the sense of smell. When you find examples of the sixth sense in passages, identify whether or not they use figurative olfactory descriptions to communicate the gut check.

Figurative Olfactory Descriptions Using Simile and Metaphor

Most olfactory descriptiions involve a literal scent, but not all. Some descriptions will use simile and metaphor to describe a scent.

In these examples, a scent is likened to something else in order to clarify, exaggerate, or add flair to the description.

Figurative Olfactory Descriptions of Emotions and Ideas

Put it all together for some serious olfactory overload. Relate intangible things (like emotions and ideas) with the smell of something:

When to Use Olfactory Description

When writing an essay, you are unlikely to use olfactory description at all. For the odd scientific report about formaldehyde, you will, but 99.99% of the time you will find stronger forms of evidence to support your thesis. If you are writing a literary analysis, there is of course the chance that an olfactory sensory description plays an important part of the plot or theme.

When writing a creative story, use the olfactory description like you’d use any of the other sensory descriptions: to clarify objects, settings, and characters. The more foreign a subject, or the more important it is to the plot, the more likely you will want to describe it.

As you go along writing, usually it’s not a matter of picking which sensory description is best at any given time. You’ll likely have opportunities to employ all the sensory descriptions, after all! Rather, it’s a matter of being well-rounded. You will use visual descriptions more than all the others put together, but don’t give up auditory, gustatory, olfactory, and tactile descriptions. They can add a huge amount of depth and realism to your story!